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The seventeenth-century Dutch Republic was a place of surprising religious diversity. That much is clear if we look at its leading artists: Frans Hals was Reformed, Jan Steen en Johannes Vermeer were Catholic, and Rembrandt was not tied to any church. They all sold their work to patrons from wide-ranging religious backgrounds. Only the Reformed Church was recognised by the authorities, but many other religious thrived behind closed doors. This book sheds light on how government and the public worked together to resolve a new dilemma: how can peace be maintained in a country with a variety of religious groups, each of which believes it has a monopoly on the truth? Exhibition: Catharijneconvent, Utrecht, the Netherlands (6.9.2013-5.1.2014).
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Subjects
Religion, History, Art, Religion in art, Dutch Art, Religious tolerancePlaces
NetherlandsTimes
17th century, 18th centuryEdition | Availability |
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1
Traits of tolerance: religious tolerance in the Golden Age
2013, WBOOKS, Museum Catharijneconvent
in English
9066306742 9789066306745
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Book Details
Edition Notes
Includes bibliographical references and index.
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The Physical Object
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- Created December 21, 2022
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September 25, 2024 | Edited by MARC Bot | import existing book |
December 21, 2022 | Created by MARC Bot | Imported from marc_columbia MARC record |