MARC Record from harvard_bibliographic_metadata

LEADER: 02159cam a2200409Ia 4500
001 013811805-1
005 20131220100734.0
008 130919s2013 ne ac b 001 0 eng d
020 $a9789066306745 (English)
020 $a9066306742
020 $a9789066304970 (Dutch)
020 $a9066304979 (Dutch)
035 0 $aocn858805053
040 $aERASA$beng$cERASA$dOCLCQ$dOHX$dCDX$dJPG
041 1 $aeng$hdut
043 $ae-ne---
050 4 $aN6946.5.R45$bT73 2013
072 7 $aN$2lcco
072 7 $aBR$2lcco
082 04 $a700-9492
245 00 $aTraits of tolerance :$breligious tolerance in the Golden Age /$cXander van Eck and Ruud Priem (eds.) ; with contributions by Xander van Eck ... [et al. ; English translation by Beverley Jackson and David McKay].
260 $aZwolle :$bWBOOKS ;$aUtrecht :$bMuseum Catharijneconvent,$cc2013.
300 $a94 p. :$bill. (chiefly col.), ports. ;$c24 cm.
520 8 $aThe seventeenth-century Dutch Republic was a place of surprising religious diversity. That much is clear if we look at its leading artists: Frans Hals was Reformed, Jan Steen en Johannes Vermeer were Catholic, and Rembrandt was not tied to any church. They all sold their work to patrons from wide-ranging religious backgrounds. Only the Reformed Church was recognised by the authorities, but many other religious thrived behind closed doors. This book sheds light on how government and the public worked together to resolve a new dilemma: how can peace be maintained in a country with a variety of religious groups, each of which believes it has a monopoly on the truth? Exhibition: Catharijneconvent, Utrecht, the Netherlands (6.9.2013-5.1.2014).
504 $aIncludes bibliographical references and index.
650 0 $aReligion$xHistory$y17th century$xArt.
650 0 $aReligion in art$y17th century.
650 0 $aArt$zNetherlands$y17th century.
650 0 $aReligious tolerance$zNetherlands$y17th century.
700 1 $aEck, Xander van.
700 1 $aPriem, Ruud.
700 1 $aJackson, Beverley.
700 1 $aMcKay, David,$d1973-
899 $a415_565195
988 $a20131025
049 $aHFLA
906 $0OCLC