MARC Record from marc_columbia

LEADER: 02174cam a2200397Ia 4500
001 10570080
005 20140121172307.0
008 130919s2013 ne ac b 001 0 eng d
020 $a9789066306745 (English)
020 $a9066306742
020 $a9789066304970 (Dutch)
020 $a9066304979 (Dutch)
035 $a(OCoLC)ocn858805053
035 $a(OCoLC)858805053
035 $a(NNC)10570080
040 $aERASA$beng$cERASA$dOCLCQ$dOHX$dCDX$dJPG
041 1 $aeng$hdut
043 $ae-ne---
050 4 $aN6946.5.R45$bT73 2013
072 7 $aN$2lcco
072 7 $aBR$2lcco
082 04 $a700-9492
245 00 $aTraits of tolerance :$breligious tolerance in the Golden Age /$cXander van Eck and Ruud Priem (eds.) ; with contributions by Xander van Eck ... [et al. ; English translation by Beverley Jackson and David McKay].
260 $aZwolle :$bWBOOKS ;$aUtrecht :$bMuseum Catharijneconvent,$cc2013.
300 $a94 p. :$bill. (chiefly col.), ports. ;$c24 cm.
520 8 $aThe seventeenth-century Dutch Republic was a place of surprising religious diversity. That much is clear if we look at its leading artists: Frans Hals was Reformed, Jan Steen en Johannes Vermeer were Catholic, and Rembrandt was not tied to any church. They all sold their work to patrons from wide-ranging religious backgrounds. Only the Reformed Church was recognised by the authorities, but many other religious thrived behind closed doors. This book sheds light on how government and the public worked together to resolve a new dilemma: how can peace be maintained in a country with a variety of religious groups, each of which believes it has a monopoly on the truth? Exhibition: Catharijneconvent, Utrecht, the Netherlands (6.9.2013-5.1.2014).
504 $aIncludes bibliographical references and index.
650 0 $aReligion$xHistory$y17th century$xArt.
650 0 $aReligion in art$y17th century.
650 0 $aArt, Dutch$y18th century.
650 0 $aReligious tolerance$zNetherlands$y17th century.
700 1 $aEck, Xander van.
700 1 $aPriem, Ruud.
700 1 $aJackson, Beverley.
700 1 $aMcKay, David,$d1973-
852 00 $boff,glx$hN6946.5.R45$iT73 2013g