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The theatre of Ana Diosdado and Paloma Pedrero in Spain, and Aida Bortnik and Griselda Gambaro in Argentina, written between 1960 and 1990, reveals an increasing preoccupation with women's issues together with a continuing awareness of problematic political realities.
Whether they challenge the strict separation between the private and the public, or whether they choose to uphold that distinction, these authors make the personal political by appropriating the public space - the stage - for the stories of women.
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Subjects
Argentine Dramatists, Argentine Women dramatists, Argentine drama, Feminism and theater, Feminist drama, History, History and criticism, Political and social views, Spanish Dramatists, Spanish Women dramatists, Spanish drama, Women and literature, Women authors, Spanish drama, history and criticism, Women dramatists, Feminism and the arts, Écrits de femmes espagnols, Histoire et critique, Théâtre espagnol, Femmes dramaturges espagnoles, Pensée politique et sociale, Féminisme et théâtre, Écrits de femmes argentins, Théâtre argentin, Femmes dramaturges argentines, 18.32 Spanish literature, 18.33 Spanish-American literature, 24.11 history of drama, Drama, Feminismus, Frauendrama, Dramatikerin, Spaans, Toneel, Politiek, Feminisme, Vrouwelijke auteursTimes
20th centuryEdition | Availability |
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Guiding the plot: politics and feminism in the work of women playwrights from Spain and Argentina, 1960-1990
1996, P. Lang, Lang AG International Academic Publishers, Peter
in English
0820428590 9780820428598
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Book Details
Edition Notes
Includes bibliographical references (p. [149]-163) and index.
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