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"In this wide-ranging study, J. Douglas Canfield contends that baroque disruption persists even as English literature becomes more neoclassical. It pops up in the strangest places. It twists forms and meanings. From paradoxical, mysterious moments in Paradise Lost, amazing metaphorics in Cavendish and Philips, momentous materializations in Waller and Dorset, and revealing displacements in Buckingham and Rochester to outrageous attack in Dryden and Pope, astonishing ventriloquizing in Killigrew and Finch and Montagu, and eccentricity and grotesquerie in Gulliver's Travels - the baroque comes back to disturb neoclassical regularity."--Jacket.
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Subjects
History and criticism, English literature, Baroque literature, Neoclassicism (Literature), Classicism in literature, English literature, history and criticism, 18th century, English literature, history and criticism, early modern, 1500-1700, Baroque literature, history and criticismPlaces
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The baroque in English neoclassical literature
2003, University of Delaware Press, Associated University Presses
in English
0874138345 9780874138344
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Table of Contents
Edition Notes
Includes bibliographical references (p. 235-242) and index.
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