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Universally recognised as a brilliant and gifted eighteenth-century artist, Zoffany was regarded by Horace Walpole as one of the three greatest painters in England, along with his friends Reynolds and Gainsborough. He has remained without a detailed study of his life and works owing to the fascinating and complex vicissitudes of his career, now established from widely scattered sources. Starting out as a late-baroque painter at a German princely court, he moved to London in 1760 and soon became a leading portraitist. A loyal patron was the great actor David Garrick through whom Zoffany became admired as the unrivalled interpreter of the Georgian stage. The delightful inventions of his conversation pieces proved, then as now, fashionably successful images of private lives and led to his swift rise into the royal patronage of George III and Queen Charlotte. Zoffany set foot in so many worlds that their contrast alone gives a constantly changing interest to the history of his life and work.
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Johan Zoffany, 1733-1810
2011, Yale University Press, Paul Mellon Centre BA
in English
0300162782 9780300162783
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Edition Notes
Published for the Paul Mellon Centre for Studies in British Art.
Includes bibliographical references (p. 653-683) and indexes.
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