Palimpsests and the Literary Imagination of Medieval England

Collected Essays

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Last edited by MARC Bot
December 23, 2022 | History

Palimpsests and the Literary Imagination of Medieval England

Collected Essays

  • 1 Want to read

"Witnesses to the disappearance of a text, palimpsest manuscripts bear the marks of their own genesis, for their original inscription was rubbed out and written over on the same parchment. Erasure is a prerequisite of reinscription; destruction paves the way for renewal. Thus the palimpsest is an image of the processes of revision and accretion which shape medieval literary production. This collection explores analogies of erasure and rewriting observed in editorial and literary practices underlying the production of texts from medieval England. Whether palimpsests are the primary focus of study or serve as a metaphor for various phenomena of loss and accumulation, all the essays investigate the process of reinscription. "--Provided by publisher.

Publish Date
Publisher
Palgrave Macmillan
Language
English
Pages
267

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Cover of: Palimpsests and the Literary Imagination of Medieval England
Palimpsests and the Literary Imagination of Medieval England: Collected Essays
2011, Palgrave Macmillan
Hardcover in English
Cover of: Palimpsests and the Literary Imagination of Medieval England
Palimpsests and the Literary Imagination of Medieval England: Collected Essays
2011, Palgrave Macmillan
in English
Cover of: Palimpsests and the Literary Imagination of Medieval England
Palimpsests and the Literary Imagination of Medieval England: Collected Essays
Mar 31, 2011, Palgrave Macmillan
paperback
Cover of: Palimpsests and the Literary Imagination of Medieval England
Palimpsests and the Literary Imagination of Medieval England
2011, Palgrave Macmillan
in English

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Book Details


Table of Contents

Leo Carruthers. "Homage to André Crépin, membre de l’Institut, Honorary OBE"
Page xvii-xviii.
Raeleen Chai-Elsholz. “Introduction: Palimpsests and ‘Palimpsestuous’ Reinscriptions”
Page 1-17.
Abstract: This introduction analyzes the term “palimpsest” in relation to the various types of artifacts of cultural production discussed in the volume’s essays.
Part I. PERMANENCE AND IMPERMANENCE OF WRITING ON THE PAGE
Adrian Papahagi. “An Anglo-Saxon Palimpsest from Fleury: Orléans, Bibliothèque Municipale MS 342 (290)”
Page 21-33.
Abstract: This essay examines an Orléans manuscript (s. x/xi) against the background of exchanges between Fleury and Anglo-Saxon abbeys, and suggests it was palimpsested in Fleury.
Peter A. Stokes. “Recovering Anglo-Saxon Erasures: Some Questions, Tools, and Techniques”
Page 35-60.
Abstract: This essay provides practical instruction in enhancing digital images of damaged or palimpsested manuscripts, encompassing basic principles, hands-on techniques, and the ethics of enhancement.
Jane Roberts. “Some Psalter Glosses in Their Immediate Context”
Page 61-79.
Abstract: This essay looks closely at three Anglo-Saxon glossed psalters and how the palimpsestic layers of gloss and text, language and layout, speak to the meditative reader.
Paul E. Szarmach. “The Palimpsest and Old English Homiletic Composition”
Page 81-94.
Abstract: This essay proposes that the palimpsest offers a way to understand the composition techniques of Old English homilists, notably Ælfric, Wulfstan, and the anonymous tradition.
Sharon M. Rowley. “‘Ic Beda’. . . ‘Cwæð Beda’: Reinscribing Bede in the Old English Historia Ecclesiastica Gentis Anglorum”
Page 95-113.
Abstract: This essay examines literal and metaphorical palimpsests in the OEHE, emphasizing the strategies through which Bede’s translators represent Bede’s voice in direct and indirect discourse.
Florence Bourgne. “Vernacular Engravings in Late Medieval England”
Page 115-136.
Abstract: Anxious late-medieval vernacular authors saturated their texts with references to engraved writings. These often refer to inscriptions on wax tablets, a fragile albeit professional medium.
Part II. IMPERMANENCE AND ACCUMULATION IN THE LITERARY IMAGINATION
Leo Carruthers. “Rewriting Genres: Beowulf as Epic Romance”
Page 139-155.
Abstract: Investigation of its historical matter in parallel with its generic classifications shows Beowulf to be a literary palimpsest anticipating the historical novel.
Gila Aloni. “Palimpsestic Philomela: Reinscription in Chaucer’s “Legend of Philomela”
Page 157-173.
Abstract: In rewriting Ovid’s Metamorphoses, Book VI, Chaucer partially erases his source to make room for his own “Legend of Philomela.”
Claire Vial. “The Middle English Breton Lays and the Mists of Origin”
Page 175-191.
Abstract: Awareness of generic ancestry offers evidence of the palimpsestuous nature of the “true” Middle English Breton lays.
Colette Stévanovitch. “Enquiries into the Textual History of the Seventeenth-Century Sir Lambewell (London, British Library, Additional 27897)”
Page 193-204.
Abstract: The mid-seventeenth-century romance Sir Lambewell incorporates accretions from various periods, which reflect the tastes of various audiences and coexist as in a palimpsest.
Jean-Marc Elsholz. “Elucidations: Bringing to Light the Aesthetic Underwriting of the Matière de Bretagne in John Boorman’s Excalibur”
Page 205-226.
Abstract: Boorman’s film Excalibur enacts medieval theories of light that form the underwriting of successive layers of the Arthurian romance tradition.

Edition Notes

Published in
New York, USA, Basingstoke, UK

Classifications

Library of Congress
PN661-PN694DA1-DA995, PR161 .P35 2011

Contributors

Author
Adrian Papahagi
Author
Peter Stokes
Author
Paul Szarmach
Author
Sharon Rowley
Author
Jean-Marc Elsholz
Author
Gila Aloni
Author
Florence Bourgne
Author
Colette Stévanovitch
Author
Claire Vial
Editor
Raeleen Chai-Elsholz
Editor
Tatjana Silec
Editor
Leo Carruthers
Author
Jane Roberts

The Physical Object

Format
Hardcover
Number of pages
267

ID Numbers

Open Library
OL24659654M
Internet Archive
palimpsestsliter00carr
ISBN 10
0230100260
ISBN 13
9780230100268
LCCN
2010039074
OCLC/WorldCat
500819563
Amazon ID (ASIN)
0230100260

Work Description

"These eleven original essays scrutinize the subject of the palimpsest, both literal and metaphorical, from a series of different angles and generate a rich and thought-provoking array of examples of different types of recycling and layering in verbal and visual texts from the Old English period to the present, from early medieval manuscripts to contemporary film. The range and depth of treatments of the palimpsest as both a concrete and a conceptual phenomenon are exemplary.”
--Laura Kendrick, Professor of Medieval Studies, Université de Versailles

“Altogether a fine tribute to, and celebration of, the life and work of a great scholar, André Crépin, on his eightieth birthday. 'Palimpsest' is given a broad definition in this collection of essays to cover both the material and the literary, that is, any alteration, abridgement, or translation of earlier texts. The contributions range from a discussion of palimpsests in manuscripts such as Beowulf, on wax tablets and vernacular engravings in the late medieval period, and how new digital technology can enhance our knowledge of palimpsests, to a broader interpretation of the word to cover the retelling, adaptation, or translation of earlier works in particular in the romance tradition, culminating in modern film adaptation of medieval literary works.”
--Graham Caie, Vice Principal, University of Glasgow

“Covering palimpsests both literal and literary, and ranging in subject matter from Beowulf to John Boorman’s Excalibur via Bede, the matière de Bretagne, Chaucer, and more, the contributions to this volume honor André Crépin with a sparkling series of investigations into the materiality, the composition, and the transmission of Old and Middle English texts.”
--Timothy Graham, Associate Professor, University of New Mexico

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