Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run04.mrc:144482837:3365 |
Source | marc_openlibraries_sanfranciscopubliclibrary |
Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run04.mrc:144482837:3365?format=raw |
LEADER: 03365cam a2200589 a 4500
001 42393566
003 OCoLC
005 20151005085105.0
008 990826s1999 ilua b 001 0 eng
010 $a99046824
020 $a0810117649
020 $a9780810117648
035 $a42393566
035 $a(OCoLC)42393566
040 $aDLC$cDLC$dBTCTA$dYDXCP$dBAKER$dLMR$dOCLCG$dAU@$dBTN$dHEBIS$dSFR$dUtOrBLW
043 $an-us---$ae-fr---
049 $aSFRA
050 00 $aPS323.5$b.P47 1999
082 00 $a811/.5209$221
092 $a811.5209$bP4223p 1999
100 1 $aPerloff, Marjorie.
245 14 $aThe poetics of indeterminacy :$bRimbaud to Cage /$cMarjorie Perloff.
260 $aEvanston, Ill. :$bNorthwestern University Press,$c1999.
300 $axvi, 346 p. :$bill. ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aAvant-garde & modernism studies
504 $aIncludes bibliographical references and index.
520 1 $a"In her seminal study, first published in 1981, Marjorie Perloff argues that the map of Modernist poetry needs to be redrawn to include a central tradition which cannot properly be situated within the Romantic-Symbolist tradition dominating the early twentieth century. She traces this tradition from its early "French connection" in the poetry of Rimbaud and Apollinaire as well as in Cubist, Dada, and early Surrealist painting; through its various manifestations in the work of Gertrude Stein, William Carlos Williams, and Ezra Pound; to such postmodern "landscapes without depth" as the French/English language constructions of Samuel Beckett, the elusive dreamscapes of John Ashbery, and the performance works of David Antin and John Cage." "In the poetry of this "other tradition," ambiguity and complexity give way to inherent contradiction and undecidability, metaphor and symbol to metonymy and synecdoche, the well-wrought urn to what Ashbery calls "an open field of narrative possibilities," and the coherent structure of images to "mysteries of construction," nonsense, and free play."--BOOK JACKET.
600 10 $aRimbaud, Arthur,$d1854-1891$xInfluence.
650 0 $aAmerican poetry$y20th century$xHistory and criticism.
650 0 $aArt and literature$zUnited States$xHistory$y20th century.
650 0 $aPoetry, Modern$y20th century$xHistory and criticism.
650 0 $aModernism (Aesthetics)$zUnited States.
650 0 $aAmerican poetry$xFrench influences.
650 0 $aModernism (Aesthetics)$zFrance.
650 0 $aContradiction in literature.
650 0 $aPoetics.
830 0 $aAvant-garde and modernism studies.
907 $a.b24148325$b11-14-18$c04-06-11
998 $axgc$b06-08-11$cm$da $e-$feng$gilu$h4$i0
957 00 $aOCLC reclamation of 2017-18
907 $a.b24148325$b02-24-15$c04-06-11
938 $aBaker and Taylor$bBTCP$n99046824
938 $aBaker & Taylor$bBKTY$c21.00$d21.00$i0810117649$n0003346268$sactive
956 $aPre-reclamation 001 value: ocm42393566
980 $a0611 KL
998 $axgc$b06-08-11$cm$da$e-$feng$gilu$h4$i0
994 $aC0$bSFR
999 $yMARS
945 $a811.5209$bP4223p 1999$d - - $e08-28-2018 13:53$f0$g0$h09-29-18$i31223096087177$j201$0800$k - - $lxgcci$o-$p$24.95$q-$r-$s- $t1$u11$v21$w1$x1$y.i6519357x$z07-08-11