MARC Record from marc_oapen

LEADER: 01629 am a22002533u 450
001 605864
005 20191210
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008 191210s|||| xx o 0 u eng |
020 $a9789089643179
024 7 $a10.26530/OAPEN_605864$2doi
041 0 $aeng
042 $adc
072 7 $aAPFA$2bicssc
245 10 $aSubjectivity. Filmic Representation and the Spectator's Experience
260 $a$bAmsterdam University Press$c2011
300 $a276
520 $aSubjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium.
546 $aEnglish.
650 7 $aFilm theory & criticism$2bicssc
653 $asubjectivity
653 $anouvelle vague
856 40 $uhttp://www.oapen.org/download?type=document&docid=605864$zAccess full text online
856 40 $uhttps://creativecommons.org/licenses/by-nc-nd/3.0/$zCreative Commons License