| Record ID | marc_nuls/NULS_PHC_180925.mrc:204409834:1584 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:204409834:1584?format=raw |
LEADER: 01584cam 2200349 a 4500
001 9920885980001661
005 20150423132205.0
008 030416s2003 nyua bq 001 0 eng
010 $a 2003008895
015 $aGBA3-U9677
020 $a0826415342 (hardcover : alk. paper)
020 $a0826415350 (pbk. : alk. paper)
029 1 $aUKM$bbA3U9677
035 $a(CSdNU)u186489-01national_inst
035 $a(OCoLC)52121370
035 $a(OCoLC)52121370
040 $aDLC$cDLC$dYDX$dUKM$dORX
049 $aCNUM
050 00 $aPN1998.3.W44$bR39 2003
082 00 $a791.43/0233/092$221
100 1 $aRayner, Jonathan.
245 14 $aThe films of Peter Weir /$cJonathan Rayner.
250 $a2nd ed.
260 $aNew York :$bContinuum,$cc2003.
300 $axi, 287 p. :$bill. ;$c21 cm.
504 $aFilmography (p. 269-272).
504 $aIncludes bibliographical references (p. 273-280) and index.
505 0 $aMichael (1971), Homesdale (1971) and The cars that ate Paris (1974) -- Picnic at Hanging Rock (1975/1998) -- The last wave and The plumber (1979) -- Gallipoli (1981) and The year of living dangerously (1982) -- Witness (1985) and The Mosquito Coast (1986) -- Dead Poets Society (1989) and Greencard (1990) -- Fearless (1993) and The Truman show (1998) -- Conclusion : the far side of the world.
600 10 $aWeir, Peter,$d1944- $xCriticism and interpretation.
949 $ PN1998.3.W44bR39 2003$i31786101586581
994 $a92$bCNU
999 $aPN 1998.3 .W44 R39 2003$wLC$c1$i31786101586581$d7/14/2004$f7/14/2004 $g2$lCIRCSTACKS$mNULS$rY$sY$tBOOK$u1/27/2004