MARC Record from Library of Congress

LEADER: 01824cam a2200277 i 4500
001 2013019060
003 DLC
005 20140701081433.0
008 130531s2013 enka b 001 0 eng
010 $a 2013019060
020 $a9781137017451
040 $aDLC$beng$cDLC$erda$dDLC
042 $apcc
050 00 $aPN1995.9.D6$bH63 2013
082 00 $a791.43/34$223
100 1 $aHoness Roe, Annabelle.
245 10 $aAnimated documentary /$cby Annabelle Honess Roe, University of Surrey, UK.
264 1 $aHoundmills, Basingstoke, Hampshire ;$aNew York :$bPalgrave Macmillan,$c[2013]
300 $aviii, 194 pages :$billustrations ;$c23 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (pages 180-188) and index.
505 0 $aIntroduction. Animation and documentary's shared history -- Scope and organisation -- Representational strategies. How animation is used in animated documentary -- The ontology of animated documentary -- Digital realities. Dino-docs and strategies of visual and aural authentication -- Tracing the sights and sounds of reality in Rotoshop and Chicago -- Paratextual authentication -- The excess of animated realism -- Animated interviews. Uncanny bodies -- Absence as representational strategy -- The expressive power of the disembodied voice -- The world in here. More than the interview seen: Sheila Sofian's illustrated interviews -- Inside out: animating subjective experience -- Hybrids of reality -- Animated awareness -- Animated memories. (Dis)continuities: the self in history -- The unspoken and the forgotten: the trauma in/of history in Silence and Waltz with Bashir -- Afterword.
650 0 $aDocumentary films$xHistory and criticism.
650 0 $aAnimated films$xHistory and criticism.