| Record ID | marc_loc_2016/BooksAll.2016.part30.utf8:160169916:1263 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part30.utf8:160169916:1263?format=raw |
LEADER: 01263cam a2200265 a 4500
001 2003008895
003 DLC
005 20040211161225.0
008 030416s2003 nyua q 001 0 eng
010 $a 2003008895
020 $a0826415342 (alk. paper)
020 $a0826415350 (pbk. : alk. paper)
040 $aDLC$cDLC$dDLC
050 00 $aPN1998.3.W44$bR39 2003
082 00 $a791.43/0233/092$221
100 1 $aRayner, Jonathan$q(Jonathan R.)
245 14 $aThe films of Peter Weir /$cJonathan Rayner.
250 $a2nd ed.
260 $aNew York :$bContinuum,$c2003.
300 $axi, 287 p. :$bill. ;$c22 cm.
504 $aFilmography: p. 269-272.
504 $aIncludes bibliographical references (p. 273-280) and index.
505 0 $a1. Michael (1971), Homesdale (1971) and The cars that ate Paris (1974) -- 2. Picnic at Hanging Rock (1975/1998) -- 3. The last wave (1977) and The plumber (1979) -- 4. Gallipoli (1981) and The year of living dangerously (1982) -- 5. Witness (1985) and The Mosquito Coast (1986) -- 6. Dead Poets Society (1989) and Greencard (1991) -- 7. Fearless (1993) and The Truman show (1998).
600 10 $aWeir, Peter,$d1944-$xCriticism and interpretation.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip043/2003008895.html