MARC Record from marc_columbia

LEADER: 03241cam a2200493Ii 4500
001 15824644
005 20211216150522.0
008 210319t20202020gw ac b 100 0deng d
035 $a(OCoLC)on1242932466
040 $aERASA$beng$erda$cERASA$dOHX$dJPG$dOCLCO$dOCLCF
020 $a9783927473317
020 $a3927473316
035 $a(OCoLC)1242932466
041 1 $aeng$hger
050 4 $aNB553.A7$bH36 2020
082 04 $a709.04
245 00 $aHans Arp and other masters of 20th century sculpture /$cedited by Elisa Tamaschke, Jana Teuscher and Loretta Würtenberger ; translations from the German, Sarah McGavran, Michael Wolfson.
264 1 $aBerlin :$bStiftung Hans Arp & Sophie Taeuber-Arp e.V.,$c[2020]
264 4 $c©2020
300 $a165 pages :$billustrations (chiefly color), portraits ;$c25 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aStiftung Arp e.V. Papers ;$vvolume 3
500 $aConference publication.
500 $aTranslated from the original German.
504 $aIncludes bibliographical references.
520 8 $aHans Arp (1887-1966) made an important contribution to twentieth-century sculpture with a biomorphic formal language that oriented to nature?s processes of change. Arp seized upon the potential inherent to the art of his predecessors and contemporaries. For example, he was interested in the ways artists like August Rodin and Constantin Brancusi reduced the body to the torso and in the use of negative space, which had already garnered significant attention from the avant-garde in the early twentieth century. In turn, numerous artists drew inspiration from Arp?s oeuvre. For example, when Henry Moore and Barbara Hepworth encountered his work in the early 1930s, its smooth surfaces and flowing contours had an almost immediate impact on their sculpture. Subsequent generations of sculptors also engaged with Arp?s legacy, including the Minimalists, who admired his simplified, anti-mimetic forms.00The reciprocity between Arp and his fellow sculptors is the focal point of conference. Discussion on the topic is meant to anchor Arp?s sculptural work within the international development of sculpture in the twentieth century and thereby recognize the significance of his creative production more qualify.
600 10 $aArp, Jean,$d1887-1966$xCriticism and interpretation$vCongresses.
650 0 $aSculpture, Modern$y20th century$vCongresses.
600 17 $aArp, Jean,$d1887-1966.$2fast$0(OCoLC)fst00046046
650 7 $aSculpture, Modern.$2fast$0(OCoLC)fst01109788
648 7 $a1900-1999$2fast
655 7 $aConference papers and proceedings.$2fast$0(OCoLC)fst01423772
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aTamaschke, Elisa,$eeditor,$econtributor.
700 1 $aTeuscher, Jana,$eeditor,$econtributor.
700 1 $aWürtenberger, Loretta,$eeditor,$econtributor.
700 1 $aMcGavran, Sarah,$etranslator.
700 1 $aWolfson, Michael,$etranslator.
700 1 $aArp, Jean,$d1887-1966,$esculptor.
830 0 $aStiftung Arp e.V. papers ;$vv. 3.
852 00 $boff,fax$hNB553.A7$iH36 2020g