MARC Record from marc_columbia

LEADER: 03663cam a2200613 i 4500
001 15528544
005 20210717231050.0
006 m d | |
007 cr |||||||||||
008 201112s2021 enk ob 001 0 eng
010 $a 2020051451
035 $a(OCoLC)on1224042385
035 $a(NNC)15528544
040 $aDLC$beng$erda$cDLC$dOCLCF$dYDX$dDLC$dOCLCO$dUKAHL$dTYFRS
020 $a9781000392104$q(epub)
020 $a1000392104
020 $a9781003166252$q(ebook)
020 $a1003166253
020 $a9781000392067$q(electronic bk. : PDF)
020 $a1000392066$q(electronic bk. : PDF)
020 $z9780367762810$q(hardback)
020 $z9780367762827$q(paperback)
035 $a(OCoLC)1224042385
037 $a9781003166252$bTaylor & Francis
042 $apcc
050 00 $aNA2500
072 7 $aARC$x001000$2bisacsh
072 7 $aARC$x013000$2bisacsh
072 7 $aARC$x005000$2bisacsh
072 7 $aAMA$2bicssc
082 00 $a720$223
049 $aZCUA
100 1 $aLahiji, Nadir,$d1948-$eauthor.
245 10 $aArchitecture, philosophy and the pedagogy of cinema :$bfrom Benjamin to Badiou /$cNadir Lahiji.
264 1 $aAbingdon, Oxon ;$aNew York :$bRoutledge,$c2021.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bn$2rdamedia
338 $aonline resource$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"Philosophers on the art of cinema mainly remain silent about architecture. Discussing cinema as 'mass art', they tend to forget that architecture, before cinema, was the only existing 'mass art'. In this work author Nadir Lahiji proposes that the philosophical understanding of the collective human sensorium in the apparatus of perception must once again find its true training ground in architecture. Building art puts the collective mass in a position of 'expert critic', who identifies themselves with the technical apparatus. Only then can architecture regain its status as 'mass art' and, as the book contends, only then can it resume its function as the only 'artform' that is designed for the political pedagogy of masses, which originally belonged to it in modernity before the invention of cinema"--$cProvided by publisher.
588 $aDescription based on print version record and CIP data provided by publisher.
545 0 $aNadir Lahiji is an architect. He holds a Ph.D. in architecture theory from the University of Pennsylvania. He is most recently the author of Architecture or Revolution: Emancipatory Critique after Marx (Routledge, 2020) and An Architecture Manifesto: Critical Reason and Theories of a Failed Practice (Routledge, 2019). His previous publications include, among others, Adventures with the Theory of the Baroque and French Philosophy (2016), and the co-authored The Architecture of Phantasmagoria: Specters of the City (Routledge, 2017).
650 0 $aArchitecture$xPhilosophy.
650 0 $aArchitecture$xPolitical aspects.
650 7 $aArchitecture$xPhilosophy.$2fast$0(OCoLC)fst00813497
650 7 $aArchitecture$xPolitical aspects.$2fast$0(OCoLC)fst00813501
650 7 $aARCHITECTURE / Criticism$2bisacsh
650 7 $aARCHITECTURE / Study & Teaching$2bisacsh
650 7 $aARCHITECTURE / History$2bisacsh
655 4 $aElectronic books.
776 08 $iPrint version:$aLahiji, Nadir, 1948-$tArchitecture, philosophy and the pedagogy of cinema$dAbingdon, Oxon ; New York : Routledge, 2021.$z9780367762810$w(DLC) 2020051450
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15528544$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS