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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-031.mrc:31068596:6426
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:31068596:6426?format=raw

LEADER: 06426cam a2200949Ia 4500
001 15067792
005 20220611230913.0
006 m o d
007 cr cnu---unuuu
008 060314s2006 enka ob 001 0 eng d
035 $a(OCoLC)ocm64668448
035 $a(NNC)15067792
040 $aN$T$beng$epn$cN$T$dOCLCQ$dYDXCP$dOCLCQ$dOCLCG$dOCLCQ$dIDEBK$dOCLCQ$dE7B$dAZU$dN$T$dOCLCF$dUKDOC$dOCLCO$dTYFRS$dOCLCQ$dEBLCP$dOCL$dOCLCQ$dPIFAG$dOCLCQ$dOCLCO$dWY@$dLUE$dUKAHL$dOCLCQ$dLEAUB$dKIJ$dOCLCQ$dK6U$dOCLCO
019 $a150353192$a519819313$a648146568$a808026957$a830553565$a992025123$a1086531039
020 $a0203449428$q(electronic bk.)
020 $a9780203449424$q(electronic bk.)
020 $a9781134300068$q(electronic bk.)
020 $a1134300069$q(electronic bk.)
020 $z0415339650
020 $z9780415339650
020 $z9780415470315
020 $z0415470315
020 $a9781134300013$q(e-book ;$qMobi)
020 $a1134300018
020 $a9781134300051$q(e-book ;$qePub)
020 $a1134300050
035 $a(OCoLC)64668448$z(OCoLC)150353192$z(OCoLC)519819313$z(OCoLC)648146568$z(OCoLC)808026957$z(OCoLC)830553565$z(OCoLC)992025123$z(OCoLC)1086531039
043 $ae-uk-en
050 4 $aPR658.T4$bI58 2006eb
072 7 $aDRA$x003000$2bisacsh
082 04 $a822/.309$222
049 $aZCUA
100 1 $aIoppolo, Grace,$d1956-
245 10 $aDramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood :$bauthorship, authority and the playhouse /$cGrace Ioppolo.
260 $aLondon ;$aNew York :$bRoutledge,$c2006.
300 $a1 online resource (x, 234 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge studies in Renaissance literature and culture ;$v6
504 $aIncludes bibliographical references (pages 185-227) and index.
588 0 $aPrint version record.
505 0 $a'As good a play for yr publiqe howse as euer was playd' : dramatists and authorship -- 'You give them authority to play' : dramatists and authority -- 'The fowle papers of the authors' : dramatists and foul papers -- 'A fayre copy hereafter' : dramatists and fair copies -- 'Plaide in 1613' : authorial and scribal manuscripts in the playhouse -- 'It sprang from ye poet' : Jonson, Middleton and Shakespeare at work.
520 1 $a"This book presents new evidence drawn from manuscript and archival sources about the ways in which early modern dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences. Grace Iopollo argues that the path of the transmission of the text was not linear, from author to censor to playhouse to audience - as has been routinely argued by scholars - but circular. Authors returned to their texts, or texts were returned to their authors, at any or all stages after composition. The reunion of authors and their texts demonstrates that early modern dramatists collaborated in various ways and degrees in the theatrical production and performance of their plays, and that for early modern dramatists and their theatrical colleagues, authorship was a continual process, not determinate action." "Extant dramatic manuscripts, theatre records and accounts, as well as authorial contracts, memoirs, receipts and other archival evidence, are used to prove that the text returned to the author at various stages, including during rehearsal and after performance. This monograph provides new information and case studies, and will be a fascinating contribution to the fields of Shakespeare studies, early modern drama studies, manuscript studies, textual study and bibliography and theatre history."--Jacket.
650 0 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xCriticism, Textual.
650 0 $aTransmission of texts$zEngland$xHistory$y16th century.
650 0 $aTransmission of texts$zEngland$xHistory$y17th century.
650 0 $aAuthors and readers$zEngland$xHistory$y16th century.
650 0 $aAuthors and readers$zEngland$xHistory$y17th century.
650 0 $aTheater audiences$zEngland$xHistory$y16th century.
650 0 $aTheater audiences$zEngland$xHistory$y17th century.
650 0 $aEnglish drama$y17th century$xCriticism, Textual.
650 0 $aManuscripts, English$xHistory$y16th century.
650 0 $aManuscripts, English$xHistory$y17th century.
650 6 $aTransmission de textes$zAngleterre$xHistoire$y16e siècle.
650 6 $aTransmission de textes$zAngleterre$xHistoire$y17e siècle.
650 6 $aÉcrivains et lecteurs$zAngleterre$xHistoire$y16e siècle.
650 6 $aÉcrivains et lecteurs$zAngleterre$xHistoire$y17e siècle.
650 6 $aThéâtre$xPublics$zAngleterre$xHistoire$y16e siècle.
650 6 $aThéâtre$xPublics$zAngleterre$xHistoire$y17e siècle.
650 6 $aManuscrits anglais$xHistoire$y16e siècle.
650 6 $aManuscrits anglais$xHistoire$y17e siècle.
650 7 $aDRAMA$xEnglish, Irish, Scottish, Welsh.$2bisacsh
650 7 $aAuthors and readers.$2fast$0(OCoLC)fst00821738
650 7 $aEnglish drama.$2fast$0(OCoLC)fst00910737
650 7 $aEnglish drama$xEarly modern and Elizabethan.$2fast$0(OCoLC)fst01710950
650 7 $aManuscripts, English.$2fast$0(OCoLC)fst01008324
650 7 $aTheater audiences.$2fast$0(OCoLC)fst01149328
650 7 $aTransmission of texts.$2fast$0(OCoLC)fst01154863
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
650 7 $aTextproduktion$2gnd
650 7 $aDrama$2gnd
651 7 $aEnglisch.$2swd
648 7 $a1500-1699$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aIoppolo, Grace, 1956-$tDramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood.$dLondon ; New York : Routledge, 2006$z0415339650$w(DLC) 2005018700$w(OCoLC)60796210
830 0 $aRoutledge studies in Renaissance literature and culture ;$v6.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15067792$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS