MARC Record from marc_columbia

LEADER: 04603cam a2200829Ma 4500
001 15088061
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008 120903s2013 enka fob 001 0 eng d
010 $z 2012018569
035 $a(OCoLC)ocn823717751
035 $a(NNC)15088061
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020 $a9780415553445$q(pbk.)
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020 $a0203125134$q(ebook)
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020 $a9781136448515$q(e-book ;$qPDF)
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049 $aZCUA
100 1 $aPavis, Patrice,$d1947-
245 10 $aContemporary mise en scène :$bstaging theatre today /$cPatrice Pavis ; translated by Joel Anderson.
260 $aLondon :$bRoutledge,$c2013.
300 $a1 online resource (xvi, 358 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
366 $b20121102$cIP
504 $aIncludes bibliographical references and index.
546 $aTranslated from the French.
588 0 $aPrint version record.
505 0 $a1. Where did mise en scène come from? : origins and theory -- 2. On the frontiers of mise en scène -- 3. The difference between mise en scène and performance -- 4. Tendencies in French scenography -- 5. The mise en jeu of contemporary texts -- 6. The intercultural trap : rituality and mise en scène in the video art of Guillermo Gómez-Peña -- 7. Theatre in another culture : a Korean example -- 8. Media on the stage -- 9. The deconstruction of postmodern mise en scène -- 10. Physical theatre and the dramaturgy of the actor -- 11. The splendour and the misery of interpreting the classics.
520 $a"Contemporary Mise en Scène is Patrice Pavis's masterful analysis of the role that staging has played in the creation and practice of theatre throughout history. This stunningly ambitious study considers the staged reading, at the frontiers of mise en scène; scenography, which sometimes replaces staging; the reinterpretation of classical and contemporary works; the development of intercultural theatre and ritual; new technologies and their usage live on the stage; and the postmodern practice of deconstruction. But it also applies sustained critical attention to the challenges of defining mise en scène, of tracking its development, and of exploring its possible futures. Joel Anderson's powerful new translation lucidly realises Pavis's investigation of the changing possibilities for stagecraft in the context of performance art, physical theatre and modern theory."--Back cover.
650 0 $aTheater$xHistory$y20th century.
650 0 $aTheater$xHistory$y21st century.
650 0 $aTheater$xProduction and direction.
650 0 $aTheaters$xStage-setting and scenery.
650 6 $aThéâtre$xHistoire$y20e siècle.
650 6 $aThéâtre$xHistoire$y21e siècle.
650 6 $aThéâtre$xProduction et mise en scène.
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
650 7 $aTheater$xProduction and direction.$2fast$0(OCoLC)fst01149278
650 7 $aTheaters$xStage-setting and scenery.$2fast$0(OCoLC)fst01149404
650 7 $aTheater$2gnd
650 7 $aInszenierung$2gnd
650 7 $aTheaterproduktion$2gnd
648 7 $a1900-2099$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$z9780415553445
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15088061$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS