MARC Record from marc_columbia

LEADER: 06025cam a2200613 i 4500
001 14774420
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006 m o d
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008 191003s2020 nyua ob 001 0 eng d
035 $a(OCoLC)on1124619726
035 $a(NNC)14774420
040 $aUAB$beng$erda$epn$cUAB$dOCLCO$dOCLCF$dN$T$dYDX$dSTF$dORU$dWAU$dUKAHL$dOCLCO
019 $a1137834402
020 $a0190458054
020 $a9780190458058$q(electronic bk.)
020 $z9780190458027$q(hardcover)
020 $z9780190458034$q(paperback)
020 $a9780190458041$q(electronic bk.)
020 $a0190458046$q(electronic bk.)
020 $z019045802X
020 $z0190458038
035 $a(OCoLC)1124619726$z(OCoLC)1137834402
037 $a5896244$bProquest Ebook Central
050 4 $aML3798$b.Q447 2020
082 04 $a780.89$223
049 $aZCUA
245 00 $aQueering the field :$bsounding out ethnomusicology /$cedited by Gregory Barz and William Cheng.
264 1 $aNew York, New York :$bOxford University Press,$c[2020]
264 4 $c©2020
300 $a1 online resource (xx, 442 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
505 00 $gPart I : Foreword.$tQueering the field : a foreword /$rKay Kaufman Shelemay --$gPart 2 : Introduction.$tQueering the field : an introduction /$rGregory Barz --$gPart 3 :$tQueer silences.$tSounding out-ethnomusicology : theoretical reflection on queer fieldnotes and performance /$rZoe C. Sherinian ;$tUncomfortable positions : expertise and vulnerability in queer postcolonial fieldwork /$rNicol Hammond ;$tQueer in the field? : what happens when neither "queer" nor "the field" is clearly defined? /$rGillian M. Rodger --$gPart 4 :$tOut/in the field.$t"I don't think we are safe around you" : queering fieldwork in ethnomusicology /$rGregory Barz ;$tQueerness, ambiguity, ethnography /$rChristi-Anne Castro ;$tOuting the methodological no-no : translating queer space to field space /$rAlexander M. Cannon ;$tQueer fieldwork in a queer field under surveillance : musical spaces in Cuba's gay Ambiente /$rMoshe Morad --$gPart 5 :$tQueerness in action.$tCon/figuring transgender-hījṛā music and dance through queer ethnomusicological filmmaking /$rJeff Roy ;$tQueer hip hop or hip-hop queerness? : toward a queer of color music studies /$rMatthew Leslie Santana ;$tGoing through the motions : transgender performance in topeng cirebon from North Java, Indonesia /$rHenry Spiller ;$tFielding the field : belonging, disciplinarity, and queer scholarly lives /$rTes Slominski --$gPart 6 :$tInstitutions and intersections.$tThe lion, the witch, and the closet : heteronormative institutional research and the queering of "traditions" /$rAileen Dillane and Nic Gareiss ;$t"I'm not gay, I'm black" : assumptions and limitations of the normative queer gaze in a Panamanian dance-drama /$rHeather J. Paudler --$gPart 7 :$tWho's queer (w)here?.$tSelf and/as subject : respectability, abjection, and the alterity of studying what you are /$rAmber R. Clifford-Napoleone ;$tStraight to the heart : heteronormativity, flirtation, and autoethnography at home and away /$rKathryn Alexander ;$tComing through loud and queer : ethnomusicological ethics of voice and violence in real and virtual battlegrounds /$rWilliam Cheng --$gPart 8 :$tClubs, bars, scenes.$tThe queer concerns of nightlife fieldwork /$rLuis-Manuel Garcia ;$tEthnographic positionality and psychoanalysis : a queer look at sex and race in fieldwork /$rSarah Hankins ;$t"Man created homophobia, God created transformistas" : saluting the oríchá in a Cuban gay bar /$rCory W. Thorne ;$tOn serendipity : or, toward a sensual ethnography /$rPeter McMurray.
520 $a"Drawing on ethnographic research and often deeply personal experiences with musical cultures, Queering the Field: Sounding out Ethnomusicology unpacks a history of sentiment that veils the treatment of queer music and identity within the field of ethnomusicology. The thematic structure of the volume reflects a deliberate cartography of queer spaces in the discipline-spaces that are strongly present due to their absence, are marked by direct sonic parameters, or are called into question by virtue of their otherness. As the first large-scale study of ethnomusicology's queer silences and queer identity politics, Queering the Field directly addresses the normativities currently at play in musical ethnography (fieldwork, analysis, performance, transcription) as well as in the practice of musical ethnographers (identification, participation, disclosure, observation, authority). While rooted in strong narrative convictions, the authors frequently adopt radicalized voices with the goal of queering a hierarchical sexual binary. The essays in the volume present rhetorical and syntactical scenarios that challenge us to read in prescient singular ways for future queer writing and queer thought in ethnomusicology."--$cProvided by publisher.
650 0 $aEthnomusicology.
650 0 $aHomosexuality and music.
650 0 $aGender identity in music.
650 6 $aEthnomusicologie.
650 6 $aHomosexualité et musique.
650 6 $aIdentité sexuelle dans la musique.
650 7 $aethnomusicology.$2aat
650 7 $aEthnomusicology.$2fast$0(OCoLC)fst00916186
650 7 $aGender identity in music.$2fast$0(OCoLC)fst00939609
650 7 $aHomosexuality and music.$2fast$0(OCoLC)fst00959821
655 4 $aElectronic books.
700 1 $aBarz, Gregory F.,$d1960-$eeditor.
700 1 $aCheng, William,$d1985-$eeditor.
776 08 $iPrint version:$tQueering the field.$dNew York, NY : Oxford University Press, 2020$w(DLC) 2019005239$w(OCoLC)1086542185
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14774420$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS