MARC Record from marc_columbia

LEADER: 02110cam a22003494a 4500
001 6974521
005 20191115140300.0
008 080506s2008 ctu b 001 0 eng
010 $a 2008020147
020 $a9780819568601 (cloth : alk. paper)
020 $a0819568600 (cloth : alk. paper)
020 $a9780819567772
024 $a40016183943
035 $a(OCoLC)185697870
035 $a(OCoLC)ocn185697870
035 $a(NNC)6974521
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dUKM$dC#P$dOrLoB-B
050 00 $aPS3513$b.U44 2008
082 00 $a811/.54$222
100 1 $aGuest, Barbara.
240 10 $aPoems
245 14 $aThe collected poems of Barbara Guest /$cBarbara Guest ; edited by Hadley Haden Guest.
260 $aMiddletown, Conn. :$bWesleyan University Press,$cc2008.
300 $axxxi, 525 p. ;$c24 cm.
490 1 $aWesleyan poetry
500 $aIncludes index.
504 $a"Works by Barbara Guest": p. xxvii-xxix.
520 1 $a"One of the most notable members of the New York School - and its best-known woman - Barbara Guest began writing poetry in the 1950s in company that included John Ashbery, Kenneth Koch, Frank O'Hara, and Tames Schuyler. And from the beginning, her practice placed her at the vanguard of American writing. Guest's poetry, saturated in the visual arts, extended the formal experiments of modernism, and played the abstract qualities of language against its sensuousness and materiality. Now, for the first time, all of her published poems have been brought together in one volume, offering readers and scholars unprecedented access to Guest's remarkable visionary work. The Collected Poems moves from her early New York School years through her more abstract later work, including some final poems never before published. Switching effortlessly from the real to the dreamlike, the observed to the imagined, this is poetry both gentle and piercing - seemingly simple, but truly and beautifully dislocating."--BOOK JACKET.
700 1 $aGuest, Hadley Haden.
830 0 $aWesleyan poetry.
852 00 $bbar$hPS3513$i.U44 2008
852 00 $bglx$hPS3513$i.U44 2008