Record ID | marc_columbia/Columbia-extract-20221130-013.mrc:316307954:2961 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-013.mrc:316307954:2961?format=raw |
LEADER: 02961cam a22003734a 4500
001 6379645
005 20221122030828.0
008 080119s2007 nyua b 001 0 eng
010 $a 2007040475
020 $a9781845453435 (hardback : alk. paper)
020 $a1845453433 (hardback : alk. paper)
024 $a99819004225
035 $a(OCoLC)148843008
035 $a(OCoLC)ocn148843008
035 $a(DLC) 2007040475
035 $a(NNC)6379645
035 $a6379645
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dC#P$dOrLoB-B
043 $ae-no---$af-cm---
050 00 $aBV2458$b.G85 2007
082 00 $a306.6/6602348106711$222
100 1 $aGullestad, Marianne.$0http://id.loc.gov/authorities/names/n78073207
245 10 $aPicturing pity :$bpitfalls and pleasures in cross-cultural communication : image and word in a north Cameroon mission /$cMarianne Gullestad.
260 $aNew York :$bBerghahn Books,$c2007.
300 $axviii, 302 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [283]-293) and index.
505 00 $g1.$tPropaganda for Christ -- $g2.$tEstablishing a Goodness Regime -- $g3.$tImagining a Call from Africa -- $g4.$tReflections on Taking Photographs -- $g5.$tGod's Sowers and Reapers -- $g6.$tWomen and Children: Both Marginal and Central -- $g7.$tMuslim Men: Dangerous Rivals and Exotic Villains -- $g8.$tVictims and Villains in a Feature Film from 1960 -- $g9.$tFrom Religions Propaganda to Cultural Heritage -- $g10.$tGoodness and Its Side-effects.
520 1 $a"Picturing Pity is the first full length monograph on missionary photography. It is based on an in-depth analysis of the published photographs taken by Norwegian evangelical missionaries in Northern Cameroon from the early nineteen twenties, at the beginning of their activities in this region, until today. Being part of a large international movement, Norway sent out more missionaries per capita than any other country in Europe." "Marianne Gullestad's main contention is that the need to continuously justify their activities to donors in Europe has led to the creation and maintenance of specific ways of portraying Africans. The missionary visual rhetoric is both based on earlier visualizations and has over time established its own conventions which can now also be traced within secular fields of activity such as international development agencies, foreign policy, human relief organizations and the mass media." "Picturing Pity takes part in the present 'pictorial turn' in academic teaching and research, constituting visual images as an exciting site of conversation across disciplinary lines."--BOOK JACKET.
650 0 $aMissions$zNorway$vPictorial works.
650 0 $aMissions$zCameroon$vPictorial works.
650 0 $aIntercultural communication$xReligious aspects$xChristianity$vPictorial works.
852 00 $buts$hBV2458$i.G85 2007