| Record ID | marc_columbia/Columbia-extract-20221130-012.mrc:131939051:3209 |
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LEADER: 03209pam a22004214a 4500
001 5644636
005 20221121200512.0
008 060118s2006 nyu b 001 0 eng c
010 $a 2006001749
015 $aGBA636610$2bnb
016 7 $a013437495$2Uk
020 $a080144411X (cloth : alk. paper)
024 3 $a9780801444111
035 $a(OCoLC)OCM63122834
035 $a(NNC)5644636
035 $a5644636
040 $aNIC/DLC$cDLC$dBAKER$dUKM$dNLGGC$dC#P$dOrLoB-B
042 $apcc
043 $ae-ur---
050 00 $aML3917.S65$bT66 2006
082 00 $a780.6/047$222
084 $a24.45$2bcl
100 1 $aTomoff, Kiril.$0http://id.loc.gov/authorities/names/no2004082350
245 10 $aCreative union :$bthe professional organization of Soviet composers, 1939-1953 /$cKiril Tomoff.
260 $aIthaca, N.Y. :$bCornell University Press,$c2006.
300 $axiv, 321 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aOriginally presented as the author's thesis (Ph. D.)--University of Chicago, 2001.
504 $aIncludes bibliographical references (p. 305-311) and index.
505 00 $gPt. I.$tThe professional organization of Soviet composers -- $g1.$tThe formation of the Composers' Union, 1932-41 -- $g2.$tAdministering the creative process -- $g3.$tComposers on the march, 1941-45 -- $gPt. II.$tProfession and power, 1946-53 -- $g4.$tZhdanovshchina and the Ogolevets affair -- $g5.$tBrouhaha! : party intervention and professional consolidation, 1948 -- $g6.$tAnticosmopolitanism and the music profession, 1949-53 -- $g7.$tThe results of party intervention -- $gPt. III.$tProfessionals and the Stalinist cultural elite -- $g8.$tMuzfond, royalties, and popularity -- $g9.$tElite hierarchies -- $g10.$t"Most respected comrade..." : informal networks in the Stalinist music world.
520 1 $a"Why did the Stalin era, a period characterized by bureaucratic control and the reign of Socialist Realism in the arts, witness such an extraordinary upsurge of musical creativity and the prominence of musicians in the cultural elite? This is one of the questions that Kiril Tomoff seeks to answer in Creative Union, the first book about any of the professional unions that dominated Soviet cultural life at the time. Drawing on hitherto untapped archives, he shows how the Union of Soviet Composers established control over the music profession and negotiated the relationship between composers and the Communist Party leadership. Central to Tomoff's argument is the institutional authority and prestige that the musical profession accrued and deployed within Soviet society, enabling musicians to withstand the postwar disciplinary campaigns that were so crippling in other artistic and literary spheres."--BOOK JACKET.
610 20 $aSoi︠u︡z kompozitorov SSSR$xHistory.
650 0 $aMusic and state$zSoviet Union$xHistory.
650 0 $aMusicians$xLabor unions$zSoviet Union$xHistory.
650 0 $aMusic$zSoviet Union$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008108128
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip066/2006001749.html
852 00 $boff,mus$hML3917.S65$iT66 2006