MARC Record from marc_columbia

LEADER: 03769fam a2200385 a 4500
001 2153642
005 20220615215412.0
008 970612s1998 ctu 000 0 eng
010 $a 97018004
020 $a0300073488 (cloth : alk. paper)
020 $a0300069987 (pbk. : alk. paper)
035 $a(OCoLC)37201166
035 $a(OCoLC)ocm37201166
035 $9ANL7308CU
035 $a(NNC)2153642
035 $a2153642
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB-B
043 $an-us---
050 00 $aN6505$b.R4 1998
082 00 $a709/.73$221
245 00 $aReading American art /$cedited by Marianne Doezema and Elizabeth Milroy.
260 $aNew Haven, Conn. :$bYale University Press,$c1998.
263 $a9803
300 $a470 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $g1.$tThe Seventeenth-Century New England Mercantile Image: Social Content and Style in the Freake Portraits /$rWayne Craven -- $g2.$tCharacter and Class: The Portraits of John Singleton Copley /$rPaul Staiti -- $g3.$tCharles Willson Peale's Expressive Design: The Artist in His Museum /$rRoger B. Stein -- $g4.$tThomas Cole and the Aristocracy /$rAlan Wallach -- $g5.$t"A Correct Likeness": Culture and Commerce in Nineteenth-Century Rural America /$rDavid Jaffee -- $g6.$tThe Painter's Triumph: William Sidney Mount and the Formation of a Middle-Class Art /$rWilliam T. Oedel and Todd S. Gernes -- $g7.$t"Doomed to Perish": George Catlin's Depictions of the Mandan /$rKathryn S. Hight -- $g8.$tNarratives of the Female Body: The Greek Slave /$rJoy S. Kasson -- $g9.$tThe Ideal Works of Edmonia Lewis: Invoking and Inverting Autobiography /$rKirsten P. Buick -- $g10.$t"The Kiss of Enterprise": The Western Landscape as Symbol and Resource /$rNancy K. Anderson -- $g11.$tThe Gross Clinic, or Portrait of Professor Gross /$rElizabeth Johns -- $g12.$tWinslow Homer in His Art /$rJules D. Prown -- $g13.$tMary Cassatt: Painter of Women and Children /$rGriselda Pollock -- $g14.$tImage and Ideology: New York in the Photographer's Eye /$rAlan Trachtenberg -- $g15.$tJohn Sloan's Images of Working-Class Women: A Case Study of the Roles and Interrelationships of Politics, Personality, and Patrons in the Development of Sloan's Art, 1905-16 /$rPatricia Hills -- $g16.$tO'Keeffe and the Masculine Gaze /$rAnna C. Chave -- $g17.$tThe Open Window and the Empty Chair: Charles Sheeler's View of New York /$rCarol Troyen -- $g18.$tThe Birth of a National Icon: Grant Wood's American Gothic /$rWanda M. Corn -- $g19.$tThe Question of Difference: Isabel Bishop's Deferential Office Girls /$rEllen Wiley Todd -- $g20.$tJackson Pollock: Representing the Unconscious /$rMichael Leja.
520 1 $a"This anthology brings together twenty works of recent scholarship on the history of the visual arts in the United States from the colonial period to 1945. The selected essays - all written within the past two decades - reflect the interdisciplinary character of current art historiography in America and the variety of approaches that contribute to the dynamism in the field. The authors take up diverse subject - from colonial portraits to nineteenth-century sculptures of women to photographic images of New York - and invite those with a general knowledge of the history of American art to think more deeply about art and culture."--BOOK JACKET.
650 0 $aArt, American.$0http://id.loc.gov/authorities/subjects/sh85007537
700 1 $aDoezema, Marianne,$d1950-$0http://id.loc.gov/authorities/names/n77014649
700 1 $aMilroy, Elizabeth,$d1954-$0http://id.loc.gov/authorities/names/n79090345
852 80 $bfax$hN6512$iR227
852 00 $bbar$hN6505$i.R4 1998
852 00 $bbar$hN6505$i.R4 1998
852 00 $bmil$hN6505$i.R4 1998