MARC Record from marc_columbia

LEADER: 03283fam a2200409 a 4500
001 2092254
005 20220615202243.0
008 970128t19971997nbug b 001 0 eng
010 $a 97002450
020 $a0803212763 (alk. paper)
035 $a(OCoLC)36315916
035 $a(OCoLC)ocm36315916
035 $9ANC1711CU
035 $a(NNC)2092254
035 $a2092254
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB-B
041 1 $aeng$hger
043 $ae-gw---
050 00 $aML3849$b.B289 1997
082 00 $a780/.943/09032$221
100 1 $aBartel, Dietrich.$0http://id.loc.gov/authorities/names/n86083093
245 10 $aMusica poetica :$bmusical-rhetorical figures in German Baroque music /$cDietrich Bartel.
260 $aLincoln :$bUniversity of Nebraska Press,$c[1997], ©1997.
300 $axv, 471 pages :$bmusic ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aRev. and enl. ed. of: Handbuch der musikalischen Figurenlehre.
504 $aIncludes bibliographical references (p. [458]-465) and index.
505 00 $gPt. 1.$tIntroduction to the Concepts.$tLuther on Music: A Theological Basis for German Baroque Music.$tToward Musica Poetica: The Emergence of a German Baroque Music.$tThe Concept of the Affections in German Baroque Music.$tPrinciples of Rhetoric in German Baroque Music --$gPt. 2.$tTreatises and Sources.$tJoachim Burmeister.$tJohannes Nucius.$tJoachim Thuringus.$tAthanasius Kircher.$tElias Walther.$tChristoph Bernhard.$tWolfgang Caspar Printz.$tJohann Georg Ahle.$tTomas Baltazar Janovka.$tMauritius Johann Vogt.$tJohann Gottfried Walther.$tJohann Mattheson.$tMeinrad Spiess.$tJohann Adolf Scheibe.$tJohann Nikolaus Forkel --$gPt. 3.$tDefinitions and Translations of the Musical-Rhetorical Figures.$tDefinitions and Translations.$gApp. 1.$tSummary of Figure Definitions --$gApp. 2.$tSummary of Figures by Category --$gApp. 3.$tList of Figures by Author --$gApp. 4.$tSummary of Figures by Author.
520 $aMusica Poetica provides an unprecedented examination of the development of Baroque musical thought.
520 8 $aTh initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther's theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music's use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications.
520 8 $aAfter brief biographical sketches of the major theorists, Bartel examines those theorists' interpretations and classifications of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist's definitions are presented in the original language and in parallel English translations.
650 0 $aMusic and rhetoric.$0http://id.loc.gov/authorities/subjects/sh94001000
650 0 $aMusic$zGermany$y17th century$xPhilosophy and aesthetics.
650 0 $aMusic$zGermany$y18th century$xPhilosophy and aesthetics.
700 1 $aBartel, Dietrich.$tHandbuch der musikalischen Figurenlehre.
852 00 $bmus$hML3849$i.B289 1997