MARC record from Internet Archive

LEADER: 03848cam a2200565 i 4500
001 15095617
005 20221119231646.0
006 m o d
007 cr |n|||||||||
008 131228s2013 xx o 000 0 eng d
035 $a(OCoLC)ocn866858077
035 $a(NNC)15095617
040 $aEBLCP$beng$epn$cEBLCP$dOCLCQ$dN$T$dOCLCO$dOCLCQ$dOCLCO$dYDXCP$dOCLCQ$dOCLCF$dOCLCQ$dVP@$dOCLCQ$dK6U$dOCLCO$dOCLCQ
019 $a906042435
020 $a9781134434657$q(electronic bk.)
020 $a1134434650$q(electronic bk.)
020 $z905823083X
020 $z9789058230836
035 $a(OCoLC)866858077$z(OCoLC)906042435
050 4 $aE78.N78 M485 2013
072 7 $aART$x015000$2bisacsh
082 04 $a709.795
049 $aZCUA
100 1 $aMeuli, Dr Jonathan.
245 10 $aShadow House :$bInterpretations of Northwest Coast Art.
260 $aHoboken :$bTaylor and Francis,$c2013.
300 $a1 online resource (411 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aStudies in visual culture ;$vv. 1
505 0 $aCover; Half Title; Title Page; Copyright Page; Table of Contents; List of figures; Acknowledgments; Abbreviations; Map; INTRODUCTION; I 'The Carvings on the Houseposts Winked Their Eyes ... ' -- Indigenous Northwest Coast Aesthetics; II 'Remember the Sacred Room and its Paintings ... ' Indigenous Northwest Coast Art History; Histories of artistic innovation; Art history and politics; Using art to remember words; Mnemonically-intended art: crests and other such markers of great events; The workings of mnemonically-intended art: some comparative examples.
505 8 $aArt that was never mnemonically-intended, but that invites all sorts of memories just the sameMnemonic systems, sculpture, architecture, landscape and movement; III 'How Pregnant with Meaning is Every Carving ... ' -- Collecting Objects and Ascribing Meanings; The great collection of northwest coast culture; Culture- and city-building in the northeastern USA; 'The desirability of obtaining carvings that have explanations ... '; Scientists collecting the beautiful; Decoration and meaning as commodities; A short history of non-meanings; A raven-rattle that was never collected.
505 8 $aSalvage ethnography and the collection of 'meanings'Finding meaning everywhere; The sort of meanings that places house; IV 'It is Deep to Where Most of it Has Sunk ... ' -- Art on the Coast in the 20th Century; Appendix I -- Sources, texts and literal translations; Sources for chapter I; Sources for chapter II; Diacritics and lineation; Appendix II -- The cliff painting of Legaix; Appendix III -- Horn Spoons; Bibliography; Index.
520 $aFirst Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
588 0 $aPrint version record.
650 0 $aIndian art$zNorthwest Coast of North America.
650 0 $aArt indien d'Amérique$zNord-Ouest, Côte (Amérique du Nord)
651 0 $aNorthwest Coast of North America$xCivilization.
651 0 $aNord-Ouest, Cô̂te (Amérique du Nord)$xCivilisation.
651 6 $aNord-Ouest, Côte (Amérique du Nord)$xCivilisation.
650 7 $aART$xHistory$xGeneral.$2bisacsh
650 7 $aCivilization.$2fast$0(OCoLC)fst00862898
650 7 $aIndian art.$2fast$0(OCoLC)fst00969029
651 7 $aNorth America$zNorthwest Coast of North America.$2fast$0(OCoLC)fst01242545
700 1 $aMeuli, Jonathan.
776 08 $iPrint version:$aMeuli, Dr Jonathan.$tShadow House : Interpretations of Northwest Coast Art.$dHoboken : Taylor and Francis, ©2013$z9789058230836
830 0 $aStudies in visual culture ;$vv. 1.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15095617$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS