MARC record from Internet Archive

LEADER: 05417cam a2200913Ma 4500
001 15163792
005 20210607150027.0
006 m o d
007 cr |||||||||||
008 170714s2017 xx obk 001 0 eng d
035 $a(OCoLC)on1002022552
035 $a(NNC)15163792
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019 $a639356388$a682038503$a994759547$a1003514017$a1007845765
020 $a1351549103$q(ebk)
020 $a9781351549103
020 $z1351549081
020 $z135154909X
020 $z131508810X
020 $z0754603512
020 $z9780754603511
020 $z0754603520
020 $z9780754603528
035 $a(OCoLC)1002022552$z(OCoLC)639356388$z(OCoLC)682038503$z(OCoLC)994759547$z(OCoLC)1003514017$z(OCoLC)1007845765
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084 $aLR 56600$2rvk
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084 $aLS 48000$2rvk
049 $aZCUA
100 1 $aHawkins, Stan.
245 10 $aSettling the Pop Score.
260 $bTaylor and Francis,$c2017.
300 $a1 online resource.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aAshgate popular and folk music series
504 $aIncludes bibliographical references (pages 201-210), discography (p. 211-213) , and index.
505 0 $aSettling the pop score -- I'll never be an angel: stories of deception in Madonna's music -- Anti-rebel, lonesome boy: Morrisey in crisis? -- Annie Lennox's Money can't buy it: masquerading identity -- Call it performance, honey: the Pet Shop Boys -- Subversive musical pleasures in The Artist (again) known as Prince.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
520 1 $a"The analysis of popular music forces us to rethink the assumptions that underpin our approaches to the study of Western music. Not least, it brings to the fore an idea that many musicologists still find uncomfortable - that commercial production and consumption can be aligned with artistic authenticity. Reading pop texts takes place through dialogue on many levels, which, as Stan Hawkins argues, deals with how musical events are shaped by personal alliances between the artist and the recipient."
520 8 $a"The need for a critical approach to evaluating popular music lies at the heart of this book. Hawkins explores the relationships that exist between music, spectatorship and aesthetics through a series of case studies of pop artists from the 1980s and 1990s. Madonna, Morrissey, Annie Lennox, the Pet Shop Boys and Prince represent the diversity of cultures, identities and sexualities that characterised the start of the MTV boom."
520 8 $a"Through the interpretation of aspects of the compositional design and musical structures of songs by these pop artists, Hawkins suggests ways in which stylistic and technical elements of the music relate to identity formation and its political motivations. Settling the Pop Score examines the role of irony and empathy, the question of gender, race and sexuality, and the relevance of textual analysis to the study of popular music. Interpreting pop music within the framework of musicology, Hawkins helps us to understand the pleasure so many people derive from these songs."--Jacket.
533 $aElectronic reproduction.$b[S.l.] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
650 0 $aPopular music$xSocial aspects.
650 0 $aGender identity in music.
650 0 $aSex in music.
650 0 $aMusical analysis.
650 0 $aMusicology.
650 6 $aMusique populaire$xAspect social.
650 6 $aIdentité sexuelle dans la musique.
650 6 $aSexualité dans la musique.
650 6 $aAnalyse musicale.
650 6 $aMusicologie.
650 7 $aGender identity in music.$2fast$0(OCoLC)fst00939609
650 7 $aMusical analysis.$2fast$0(OCoLC)fst01030696
650 7 $aMusicology.$2fast$0(OCoLC)fst01030893
650 7 $aPopular music$xSocial aspects.$2fast$0(OCoLC)fst01071460
650 7 $aSex in music.$2fast$0(OCoLC)fst01114481
650 7 $aPopmusik$2gnd
650 7 $aText$2gnd
650 17 $aPopmuziek.$2gtt
650 17 $aIdentiteit.$2gtt
650 7 $aMusique populaire$xAspect social.$2ram
650 7 $aIdentité sexuelle.$2ram
650 7 $aAnalyse musicale.$2ram
650 7 $aMusicologie.$2ram
776 08 $iOnline version:$aHawkins, Stan.$tSettling the pop score.$dAldershot, Hants, England ; Burlington, VT : Ashgate, ©2002$w(OCoLC)639356388
776 08 $iPrint version:$aHawkins, Stan.$tSettling the Pop Score.$dTaylor and Francis, 2017$z0754603512$z9780754603511$w(DLC) 2001033361$w(OCoLC)46810711
830 0 $aAshgate popular and folk music series.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15163792$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS