MARC record from Internet Archive

LEADER: 03891cam a22007934a 4500
001 ocn714113372
003 OCoLC
005 20191109071934.2
008 110415s2011 ilu b s001 0 eng
010 $a 2011016143
040 $aDLC$beng$cDLC$dYDX$dYDXCP$dUKMGB$dBWX$dUAF$dCDX$dCOO$dIG#$dPUL$dBDX$dSTF$dBTCTA$dE7B$dJQM$dVP@$dOCLCF$dCHVBK$dS3O$dOCLCQ$dSHS$dIOD$dOCLCA$dIGA
015 $aGBB198989$2bnb
016 7 $a015874075$2Uk
019 $a779387579$a785135744
020 $a9780252036620$q(cloth)
020 $a025203662X$q(cloth)
020 $a9780252078323$q(pbk.)
020 $a0252078322$q(pbk.)
029 1 $aAU@$b000048113186
029 1 $aCHSLU$b000994564
029 1 $aCHVBK$b030257255
029 1 $aNZ1$b13943706
029 1 $aUNITY$b125446462
029 1 $aUKMGB$b015874075
035 $a(OCoLC)714113372$z(OCoLC)779387579$z(OCoLC)785135744
042 $apcc
043 $an-us---
050 00 $aML3918.R37$bW53 2011
082 00 $a305.38/896073$222
049 $aMAIN
100 1 $aWhite, Miles,$d1954-
245 10 $aFrom Jim Crow to Jay-Z :$brace, rap, and the performance of masculinity /$cby Miles White.
260 $aUrbana :$bUniversity of Illinois Press,$c©2011.
300 $a163 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aAfrican American music in global perspective
504 $aIncludes bibliographical references (pages 147-153) and index.
505 0 $aShadow and act : American popular music and the absent black presence -- The fire this time : black masculinity and the politics of racial performance -- Affective gestures : hip-hop aesthetics, blackness and the literacy of performance -- Real niggas : black men, hard men, and the rise of gangsta culture -- Race rebels : whiteness and the new masculine desire.
520 $aThis multilayered study of the representation of black masculinity in musical and cultural performance takes aim at the reduction of African American male culture to stereotypes of deviance, misogyny, and excess. Broadening the significance of hip-hop culture by linking it to other expressive forms within popular culture, Miles White examines how these representations have both encouraged the demonization of young black males in the United States and abroad and contributed to the construction of their identities.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aRap (Music)$xSocial aspects$zUnited States.
650 0 $aAfrican American men$xRace identity.
650 0 $aMusic and race.
650 0 $aMasculinity$zUnited States.
650 7 $aAfrican American men$xRace identity.$2fast$0(OCoLC)fst00799250
650 7 $aMasculinity.$2fast$0(OCoLC)fst01011027
650 7 $aMusic and race.$2fast$0(OCoLC)fst01030486
650 7 $aRap (Music)$xSocial aspects.$2fast$0(OCoLC)fst01089957
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aMännlichkeit.$0(DE-588)4123701-8$2gnd
650 7 $aRap.$0(DE-588)4303518-8$2gnd
650 7 $aSchwarze.$0(DE-588)4116433-7$2gnd
651 7 $aUSA.$0(DE-588)4078704-7$2gnd
650 7 $aHiphop (musik)$xsociala aspekter$zFörenta staterna.$2sao
650 7 $aMUSIC / Ethnomusicology.$2bisacsh
650 7 $aSOCIAL SCIENCE / Black Studies (Global)$2bisacsh
650 7 $aSOCIAL SCIENCE / Popular Culture.$2bisacsh
830 0 $aAfrican American music in global perspective.
856 42 $3Book review (H-Net)$uhttp://www.h-net.org/reviews/showrev.php?id=37051
938 $aBrodart$bBROD$n13107038$c$22.00
938 $aCoutts Information Services$bCOUT$n17773655
938 $aIngram$bINGR$n9780252036620
938 $aYBP Library Services$bYANK$n6899779
938 $aBlackwell Book Service$bBBUS$n6899779
994 $a92$bERR
976 $a31927002073572