MARC record from Internet Archive

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001 ocm40981554
003 OCoLC
005 20220202131139.0
008 990308s1999 enkac b 001 0 eng
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050 4 $aND237.H75$bS36 1999
082 04 $a759.13$221
100 1 $aSchmied, Wieland,$d1929-2014.
245 10 $aEdward Hopper :$bportraits of America /$cWieland Schmied.
260 $aMunich ;$aLondon :$bPrestel,$c©1999.
300 $a126 pages :$billustrations (some color), portraits (some color) ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aPegasus library
505 0 $aEarly Sunday morning -- Manhattan Bridge loop -- Gas -- New York movie -- Office at night -- Nighthawks -- Hotel lobby -- Seven A.M. -- Sunlight in a cafeteria -- Second story sunlight -- New York office.
504 $aIncludes bibliographical references (pages 114-116).
520 1 $a"Edward Hopper was one of the finest American Scene painters in the Realist tradition. His passion was to portray "typical America"; his city- and landscapes are vivid reflections of the then contemporary American life. Several of his paintings, such as House by the Railroad (1925), Early Sunday Morning (1930), and Nighthawks (1942), have become icons of modern American art. They depict the loneliness, anonymity, and lack of variety in the daily life of ordinary people." "Edward Hopper: Portraits of America examines the apparent dichotomy within Hopper's oeuvre. On the one hand, his compositions depict deserted small towns or solitary figures in empty offices, desolate houses, or hotel rooms. On the other hand, Hopper painted the landscape of New England, where he spent almost every summer with his wife Jo, as bright and tranquil. He seemed to analyze the psychological restrictions and isolation of everyday life as well as the joy and freedom of vacation." "This volume superbly illustrates this dichotomy with full-color reproductions of many of Hopper's most famous compositions. It shows how, by linking fiction and reality, concealment and revelation, Hopper's images evoke an enigmatic uncertainty, which is both mystifying and fascinating."--Jacket.
650 0 $aArt, American.
650 0 $aArt, American$y20th century.
650 7 $aArt, American.$2fast$0(OCoLC)fst00815895
600 17 $aHopper, Edward.$2swd
650 7 $aMalerei$2gnd
651 7 $aUSA (Motiv)$2swd
648 7 $a1900-1999$2fast
830 0 $aPegasus library.
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