Record ID | ia:audiencessociolo0000aber |
Source | Internet Archive |
Download MARC XML | https://archive.org/download/audiencessociolo0000aber/audiencessociolo0000aber_marc.xml |
Download MARC binary | https://www.archive.org/download/audiencessociolo0000aber/audiencessociolo0000aber_meta.mrc |
LEADER: 04348cam 2200793 a 4500
001 ocm39482325
003 OCoLC
005 20200103032703.0
008 971211s1998 enk b 001 0 eng c
010 $a 97062467
040 $aNYP$beng$cNYP$dDLC$dBAKER$dNLGGC$dYDXCP$dBTCTA$dOCLCG$dUKM$dGEQ$dQE2$dHEBIS$dTULIB$dVMC$dOCLCO$dOCLCF$dCHVBK$dOCLCQ$dDEBSZ$dOCLCQ$dI8M$dOCLCO$dUZ0$dOCLCQ$dDHA$dOCLCQ$dOCLCA$dBGU$dOCLCO$dCSA$dAU@$dOCLCO$dOCLCQ$dUKUOY$dDCT$dUKBTH$dS2H$dOCLCA$dOCLCQ
015 $aGB9903129$2bnb
015 $aGB98Z8463$2bnb
016 7 $a012649148$2Uk
019 $a63184382$a1008245806$a1117220843$a1120813821
020 $a080398961X
020 $a9780803989610
020 $a0803989628$q(pbk.)
020 $a9780803989627$q(pbk.)
035 $a(OCoLC)39482325$z(OCoLC)63184382$z(OCoLC)1008245806$z(OCoLC)1117220843$z(OCoLC)1120813821
042 $apcc
050 00 $aP96.A83$bA2 1998
080 $a302.23
080 0 $a301.153.12
082 00 $a302.23$221
084 $a05.30$2bcl
100 1 $aAbercrombie, Nicholas.
245 10 $aAudiences :$ba sociological theory of performance and imagination /$cNicholas Abercrombie & Brian Longhurst.
260 $aLondon ;$aThousand Oaks, Calif. :$bSage,$c1998.
300 $a197 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 181-189) and indexes.
505 0 $a1. Changing Audiences; Changing Paradigms of Research -- 2. Forms of the Audience -- 3. Spectacle and Narcissism -- 4. Imagination and Resources -- 5. Fans and Enthusiasts -- 6. The Spectacle/Performance Paradigm: Methods, Issues and Theories.
520 $a"Audiences are problematic and, as such, the study of audiences has represented a key site of activity in the social sciences and humanities. In Audiences, the authors offer a timely review of the past 50 years of theoretical and methodological debate to argue the case for a paradigmatic shift in audience research." " This shift, they argue, is necessitated by the emergence of the "diffused audience." Audience experience can no longer be simply classified as "simple" or "mass," for in modern, advanced capitalist societies, people are members of an audience all the time. Being a member of an audience is no longer an exceptional event, nor even an everyday event. Rather, it is constitutive of everyday life. That this is the case is attributable to the fact that our relationship with events and objects in the social world has changed. If the world is increasingly conceived as a spectacle, then so are the people within it, and we become both simultaneously performers and audience."--The publisher.
583 1 $aSelf-Renewing$c2017$5UoY
650 0 $aAudiences.
650 7 $aAudiences.$2fast$0(OCoLC)fst00821019
650 7 $aMassenmedien$2gnd
650 7 $aPublikumsforschung$2gnd
650 7 $aO ffentlichkeit$2gnd
650 7 $aMedienwirkungsforschung$2gnd
650 7 $aKultursoziologie$2gnd
650 7 $aSoziologische Theorie$2gnd
650 17 $aMassamedia.$2gtt
650 17 $aPublieksonderzoek.$2gtt
700 1 $aLonghurst, Brian,$d1956-
776 08 $iOnline version:$aAbercrombie, Nicholas.$tAudiences.$dLondon ; Thousand Oaks, Calif. : Sage, 1998$w(OCoLC)605357084
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/enhancements/fy0656/97062467-t.html
856 41 $3Table of contents$uhttp://swbplus.bsz-bw.de/bsz066723868inh.htm$v20130910101849
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0656/97062467-d.html
938 $aBaker & Taylor$bBKTY$c125.00$d125.00$i080398961X$n0003130590$sactive
938 $aBaker & Taylor$bBKTY$c51.95$d51.95$i0803989628$n0003130591$sactive
938 $aBaker and Taylor$bBTCP$n97062467
938 $aYBP Library Services$bYANK$n100102981
029 1 $aAU@$b000014025632
029 1 $aAU@$b000060997179
029 1 $aCHNEW$b000631971
029 1 $aCHVBK$b312083998
029 1 $aDEBSZ$b066723868
029 1 $aHEBIS$b060696591
029 1 $aNZ1$b4890010
029 1 $aUKBRU$b136181
029 1 $aUNITY$b114657793
029 1 $aYDXCP$b100102980
029 1 $aYDXCP$b100102981
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 376 OTHER HOLDINGS