MARC Record from harvard_bibliographic_metadata

LEADER: 02115cam a22004338i 4500
001 014002852-8
005 20140523174903.0
008 130918s2014 enk 001 0 eng
010 $a 2013030719
016 7 $a016611806$2Uk
020 $a9780195337129 (hardcover)
020 $a0195337123 (hardcover)
020 $a9780195337136 (pbk.)
020 $a0195337131 (pbk.)
035 0 $aocn861754946
035 $a(PromptCat)40023472459
040 $aDLC$beng$erda$cDLC$dBDX$dBTCTA$dYDXCP$dUKMGB$dCDX
042 $apcc
043 $an-us---
050 00 $aPE1517$b.C36 2014
082 00 $a808.1$223
100 1 $aCaplan, David,$d1969-
245 10 $aRhyme's challenge :$bhip hop, poetry, and contemporary rhyming culture /$cDavid Caplan.
264 1 $aOxford ;$aNew York :$bOxford University Press,$c2014.
300 $aviii, 178 pages ;$c23 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $aIncludes index.
505 0 $aIntroduction: because it rhymes -- Reduced to rhyme: contemporary doggerel -- The art of rhymed insult -- Making love in mirrors: hip-hop seduction verse -- The inheritors of hip hop: reclaiming rhyme -- Conclusion: on the present and future of rhyme.
504 $aIncludes bibliographical references (pages 143-169) and index.
520 $aThis book makes a spirited argument for hip-hop as an important form of contemporary American poetry. It discusses hip-hop artists such as Eminem, Jay-Z, and Kanye West alongside canonical poets like Shakespeare, Wordsworth, and Auden. This book is penned in an accessible style that will appeal to general readers and students interested in hip hop and/or contemporary poetry. It offers an overview of three prominent rhymes favored by hip hop artists: doggerel, insult, and seduction.
650 0 $aEnglish language$xRhyme.
650 0 $aHip-hop$zUnited States.
650 0 $aAmerican poetry$y20th century$xHistory and criticism.
650 0 $aAmerican poetry$y21st century$xHistory and criticism.
899 $a415_565471
988 $a20140412
906 $0DLC