MARC Record from harvard_bibliographic_metadata

LEADER: 03673cam a2200433 i 4500
001 014237767-8
005 20150107145405.0
008 140811s2014 enk b 001 0 eng
010 $a 2014032211
020 $a9781107039896$q(hardback)
020 $a1107039894$q(hardback)
035 $a(PromptCat)99960747324
035 0 $aocn881659949
040 $aDLC$beng$erda$cDLC$dYDX$dBTCTA$dERASA$dYDXCP$dOCLCO$dOCLCQ$dMH-L
042 $apcc
050 00 $aK1440$b.L39 2014
082 00 $a346.04/8$223
084 $aLAW050000$2bisacsh
245 00 $aLaw and creativity in the age of the entertainment franchise /$cedited by Kathy Bowrey and Michael Handler.
264 1 $aCambridge ;$aNew York :$bCambridge University Press,$c2014.
300 $ax, 242 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCambridge intellectual property and information law
520 $a"Much of the real value in the entertainment industry today lies in franchises - fictional universes, entertainment concepts, reinventions of cultural traditions and celebrity - that create an ongoing presence in the marketplace. The entertainment franchise now shapes the global cultural landscape. However, scholars have devoted little attention to how intellectual property law has changed or is being stretched in practice to accommodate this type of creativity and form of enterprise. Covering law and practice in jurisdictions such as the UK, the EU, the USA, Australia, Spain and the Caribbean, this collection explores the 'fit' of intellectual property laws with specific franchises and tracks the way creators and entrepreneurs work around law's limitations. Case studies include mega-film franchises, fan activity, hip-hop, the management of celebrity reputation, flamenco, 'Disneyfied' theatre, film and television funding, arts festivals and 'carnival in a box'"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 8 $aMachine generated contents note: Foreword -- Martha Woodmansee; Part I. Introduction: 1. Franchise dynamics, creativity and the law -- Kathy Bowrey and Michael Handler; Part II. The Productivity of the Author Model: Authors, Collaborators and Non-Authors: 2. The author strikes back: mutating authorship in the expanded universe -- Lionel Bently and Laura Biron; 3. Franchises, imaginary worlds, authorship and fandom -- David Lindsay; 4. Digital sampling and music industry practices, re-spun -- Johnson Okpaluba; Part III. Managing Authorship: 5. Building and rebuilding reputations: reflections on the role of defamation law in the life of a celebrity -- David Rolph; 6. Dramatic copyright and the Disneyfication of theatre space -- Brent Salter and Kathy Bowrey; 7. Instituting copyright: reconciling copyright law and industry practice in the Australian film and television sector -- Kathy Bowrey and Michael Handler; 8. Flamenco music in copyright historiography -- Jose Bellido; Part IV. Group Rights and Culture: 9. Arts festivals: property, heritage or more? -- Fiona Macmillan; 10. Franchising carnival: issues of rights and cultural identity -- Sharon Le Gall.
650 0 $aAuthorship.
650 0 $aIntellectual property.
650 0 $aCopyright.
650 0 $aFranchises (Retail trade)$xLaw and legislation.
650 0 $aEntertainers$xLegal status, laws, etc.
650 7 $aLAW$xIntellectual Property$xGeneral.$2bisacsh
700 1 $aBowrey, Kathy,$eeditor.
700 1 $aHandler, Michael,$eeditor.
830 0 $aCambridge intellectual property and information law.
988 $a20141125
906 $0DLC