MARC Record from harvard_bibliographic_metadata

LEADER: 01756cam a2200313Ia 4500
001 013692882-X
005 20130601225839.0
008 120814s2013 nyuaf q 001 0aeng d
020 $a9780061775123
020 $a0061775126
035 0 $aocn809723461
040 $aGO9$cGO9$dBTCTA$dYDXCP$dBDX$dCXP$dCO2$dBUR$dXYZ$dVP@$dBWX
043 $an-us---
050 14 $aPN1998.3.F75$bA3 2013
082 04 $a791.4302/33092$aB$223
100 1 $aFriedkin, William.
245 14 $aThe Friedkin connection :$ba memoir /$cWilliam Friedkin.
250 $a1st ed.
260 $aNew York :$bHarper,$cc2013.
300 $ax, 497 p., [16] p. of plates :$bill. (some col.) ;$c24 cm.
504 $aIncludes filmography and index.
520 $aHe was a maverick of American cinema in the late 60s and 70s, one of the leading auteurs of the New Hollywood whose groundbreaking films include 'The Exorcist' and 'The French Connection.' Now, the Academy Award-winning director looks back at his life, his career, and important films.
505 0 $aAuthor's note: *Spoiler* -- Prologue: Fireflies -- Pt. 1: First impressions. Chicago ; Mr. Documentary ; Good times ; Silences -- Pt. 2: The '70s. Popeye and cloudy ; The mystery of faith ; Empire of light ; The devil in the details -- Pt. 3: The tunnel at the end of the light. Hubris ; Sorcerer ; Armed robbery and murder -- Pt. 4: An uphill climb to the bottom. To live and die in L.A. ; Safe darkness ; A new path ; Afterlife ; The Marine Corps and the tracker ; Fade out -- Pt. 5: Fade in. Puccini ; Catharsis ; Reel twelve.
600 10 $aFriedkin, William.
650 0 $aMotion picture producers and directors$zUnited States$vBiography.
899 $a415_565387
899 $a415_565393
988 $a20130525
906 $0OCLC