MARC Record from harvard_bibliographic_metadata

LEADER: 02136cam a22003134a 4500
001 013659431-X
005 20130519085127.0
008 120601s2012 ctua bc 000 0 eng d
016 7 $a016126482$2Uk
020 $a9780300189766
020 $a0300189761
035 0 $aocn794706854
040 $aERASA$beng$cERASA$dUKMGB$dYDXCP$dNLE$dOCLCO$dUKTTE$dYNK$dBWX$dNDD$dGZM$dOCLCQ$dZCU
050 4 $aND497.P37$bA4 2012
082 04 $a709.04
100 1 $aPeploe, Samuel John,$d1871-1935.
245 10 $aS.J. Peploe /$cAlice Strang, Elizabeth Cumming and Frances Fowle.
260 $aNew Haven :$bYale University Press,$c2012.
300 $a112 p. :$bcol. ill. ;$c28 cm.
500 $a"This book accompanies the third retrospective exhibition of the work of Samuel John Peploe to ..."--P. 7.
520 8 $aSamuel John Peploe (1871-1935) was the eldest of the four artists popularly known as 'The Scottish Colourists'. Born in Edinburgh, he was drawn to France and returned to paint there frequently, moving in 1910 to Paris, where he moved in artistic avant-garde circles. His painting style gave way to a more contemporary and expressive approach, and he used rich colours applied with more structured brushstrokes. In 1912 Peploe returned to Edinburgh and slowly began to build a successful career as an exhibiting artist. From around 1914 until his death, he sought to paint the perfect still life. A modest selection of props, including roses or tulips, fans, books, fruits and Chinese vases, were carefully placed in infinite varieties on patterned drapery. In 1929 he explained: 'There is so much in mere objects, flowers, leaves, jugs, what not - colours, forms, relation - I can never see mystery coming to an end'.0Exhibition: Scottish National Gallery of Modern Art, Edinburgh, Scotland (3.11.2012-23.6.2013).
600 10 $aPeploe, Samuel John,$d1871-1935.
600 10 $aPeploe, Samuel John,$d1871-1935$vExhibitions.
600 10 $aPeploe, Samuel John,$d1871-1935$xCriticism and interpretation.
700 1 $aStrang, Alice,$d1973-
700 1 $aCumming, Elizabeth.
700 1 $aFowle, Frances.
988 $a20130415
906 $0OCLC