MARC Record from harvard_bibliographic_metadata

LEADER: 05367nam a22005058i 4500
001 013656881-5
005 20130701142417.0
008 130125s2013 nyu b 000 0 eng
010 $a 2012047001
020 $a9781594204197 (hardback)
020 $z9781101617793 (ebook)
035 0 $aocn826121185
040 $aDLC$beng$cDLC$erda
042 $apcc
043 $an-us---
050 00 $aPN1992.8.S4$bM2655 2013
082 00 $a791.450973/09049$223
084 $aPER010030$aSOC052000$2bisacsh
100 1 $aMartin, Brett,$d1972-
245 10 $aDifficult men :$bbehind the scenes of a creative revolution: from The Sopranos and The wire to Mad men and Breaking bad /$cBrett Martin.
264 1 $aNew York :$bThe Penguin Press,$c2013.
300 $a303 pages ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
520 $a"A riveting and revealing look at the shows that helped cable television drama emerge as the signature art form of the twenty-first century In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows, first on premium cable channels like HBO and then basic cable networks like FX and AMC, dramatically stretched television's narrative inventiveness, emotional resonance, and artistic ambition. No longer necessarily concerned with creating always-likable characters, plots that wrapped up neatly every episode, or subjects that were deemed safe and appropriate, shows such as The Wire, The Sopranos, Mad Men, Deadwood, The Shield, and more tackled issues of life and death, love and sexuality, addiction, race, violence, and existential boredom.
520 $aJust as the Big Novel had in the 1960s and the subversive films of New Hollywood had in 1970s, television shows became the place to go to see stories of the triumph and betrayals of the American Dream at the beginning of the twenty-first century. This revolution happened at the hands of a new breed of auteur: the all-powerful writer-show runner. These were men nearly as complicated, idiosyncratic, and "difficult" as the conflicted protagonists that defined the genre. Given the chance to make art in a maligned medium, they fell upon the opportunity with unchecked ambition. Combining deep reportage with cultural analysis and historical context, Brett Martin recounts the rise and inner workings of a genre that represents not only a new golden age for TV but also a cultural watershed.
520 $aDifficult Men features extensive interviews with all the major players, including David Chase (The Sopranos), David Simon and Ed Burns (The Wire), Matthew Weiner and Jon Hamm (Mad Men), David Milch (NYPD Blue, Deadwood), and Alan Ball (Six Feet Under), in addition to dozens of other writers, directors, studio executives, actors, production assistants, makeup artists, script supervisors, and so on. Martin takes us behind the scenes of our favorite shows, delivering never-before-heard story after story and revealing how cable TV has distinguished itself dramatically from the networks, emerging from the shadow of film to become a truly significant and influential part of our culture. "--$cProvided by publisher.
520 $a"In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows, first on premium cable channels like HBO and then basic cable networks like FX and AMC, dramatically stretched television's narrative inventiveness, emotional resonance, and artistic ambition. No longer necessarily concerned with creating always-likable characters, plots that wrapped up neatly every episode, or subjects that were deemed safe and appropriate, shows such as The Wire, The Sopranos, Mad Men, Deadwood, The Shield, and more tackled issues of life and death, love and sexuality, addiction, race, violence, and existential boredom. This revolution happened at the hands of a new breed of auteur: the all-powerful writer-show runner. These were men nearly as complicated, idiosyncratic, and "difficult" as the conflicted protagonists that defined the genre. "--$cProvided by publisher.
504 $aIncludes bibliographical references.
505 0 $aPreviously on. In this maligned medium ; Which films? ; A great notion ; Should we do this? Can we do this? -- The beast in He. Difficult men ; The arguer ; The magic Hubig's ; Being the boss ; A big piece of equipment ; Have a take. Try not to suck -- The inheritors. Shooting the dog ; See you at the Emmys ; The happiest room in Hollywood.
650 0 $aTelevision series$zUnited States.
650 0 $aTelevision broadcasting$xSocial aspects$zUnited States.
650 0 $aTelevision program genres$zUnited States.
650 0 $aTelevision actors and actresses$zUnited States$vInterviews.
650 0 $aCable television$zUnited States$xHistory.
650 7 $aPERFORMING ARTS / Television / History & Criticism.$2bisacsh
650 7 $aSOCIAL SCIENCE / Media Studies.$2bisacsh
650 0 $aMasculinity on television.
655 7 $aHistory.$2fast
655 7 $aInterviews.$2fast
899 $a415_565232
899 $a415_565267
988 $a20130411
906 $0DLC