| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:389566688:1569 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01569cam a2200373Ia 4500
001 013342044-2
005 20120927143855.0
008 120207s2012 enka 001 0 eng d
015 $aGBB214920$2bnb
016 7 $a016030538$2Uk
020 $a9780719085437 (hbk.)
020 $a0719085438 (hbk.)
035 $a(PromptCat)99949884459
035 0 $aocn778270633
040 $aUKMGB$beng$cUKMGB$dERASA$dYDXCP$dYNK$dOCLCO$dCDX$dSTF$dBWX$dCUS
050 4 $aPN2071.R45$bM43 2012
082 04 $a792.028$223
100 1 $aMcAuley, Gay.
245 10 $aNot magic but work :$ban ethnographic account of a rehearsal process /$cGay McAuley.
260 $aManchester :$bManchester University Press ;$aNew York :$bPalgrave Macmillan (distributor),$cc2012.
300 $axiii, 241 p. :$bill. ;$c22 cm.
490 0 $aTheatre.$aTheory, practice, performance
504 $aIncludes bibliographical references (p. [232]-235) and index.
520 8 $aThis text is a detailed description of the intensive work process involved in the making of 'Toy Symphony', a new play by Michael Gow, directed by Neil Armfield and brought to the stage for the first time in December 2007 by Company B at the Belvoir Street Theatre in Sydney.
600 10 $aGow, Michael,$d1955-$tToy symphony.
600 10 $aArmfield, Neil.
650 0 $aTheater rehearsals.
650 0 $aTheater$xProduction and direction.
650 0 $aSocial groups.
650 0 $aCreation (Literary, artistic, etc.)
830 0 $aTheatre (Manchester, England)
899 $a415_565471
988 $a20120904
906 $0OCLC