| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:879947845:1421 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:879947845:1421?format=raw |
LEADER: 01421cam a2200337 a 4500
001 012982739-8
005 20120207144228.0
008 110308s2011 enka b 001 0deng
010 $a 2011010442
015 $aGBB172440$2bnb
016 7 $a015826218$2Uk
020 $a9781409421221 (hardcover : alk. paper)
020 $a1409421228 (hardcover : alk. paper)
020 $a9781409434016 (ebook)
020 $a140943401X (ebook)
035 0 $aocn706965925
040 $aDLC$cDLC$dERASA$dYDXCP$dC#P$dUKMGB$dTDF$dBWX
050 00 $aML410.S3$bW64 2011
082 00 $a784.092$222
100 1 $aWollenberg, Susan.
245 10 $aSchubert's fingerprints :$bstudies in the instrumental works /$cSusan Wollenberg.
260 $aFarnham, Surrey ;$aBurlington, VT :$bAshgate,$cc2011.
300 $axviii, 317 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- 'His favourite device' : Schubert's major-minor usage and its nuances -- Poetic transitions -- Schubert's second themes -- Schubert and Mozart -- Schubert's violent nature -- Threefold constructions -- Schubert's variations -- 'Heavenly length' -- Concluding remarks : 'Whose Schubert?'.
600 10 $aSchubert, Franz,$d1797-1828.$tInstrumental music.
650 0 $aInstrumental music$y19th century$xHistory and criticism.
899 $a415_565857
988 $a20111121
049 $aHMUU
906 $0DLC