| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:879942184:1676 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:879942184:1676?format=raw |
LEADER: 01676cam a22003974a 4500
001 012982736-3
005 20131113062812.0
008 110415s2011 ilu b s001 0 eng
010 $a 2011016143
016 7 $a015874075$2Uk
020 $a9780252036620 (cloth)
020 $a025203662X (cloth)
020 $a9780252078323 (pbk.)
020 $a0252078322 (pbk.)
035 0 $aocn714113372
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042 $apcc
043 $an-us---
050 00 $aML3918.R37$bW53 2011
082 00 $a305.38/896073$222
100 1 $aWhite, Miles,$d1954-
245 10 $aFrom Jim Crow to Jay-Z :$brace, rap, and the performance of masculinity /$cby Miles White.
260 $aUrbana :$bUniversity of Illinois Press,$cc2011.
300 $a163 p. ;$c24 cm.
490 0 $aAfrican american music in global perspective
504 $aIncludes bibliographical references (p. [147]-153) and index.
505 0 $aShadow and act : American popular music and the absent black presence -- The fire this time : black masculinity and the politics of racial performance -- Affective gestures : hip-hop aesthetics, blackness and the literacy of performance -- Real niggas : black men, hard men, and the rise of gangsta culture -- Race rebels : whiteness and the new masculine desire.
650 0 $aRap (Music)$xSocial aspects$zUnited States.
650 0 $aAfrican American men$xRace identity.
650 0 $aMusic and race.
650 0 $aMasculinity$zUnited States.
730 0 $aProject Muse UPCC books$5net
830 0 $aAfrican American music in global perspective.
899 $a415_565328
988 $a20111121
906 $0DLC