| Record ID | harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:80548486:1353 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:80548486:1353?format=raw |
LEADER: 01353cam a2200337 a 4500
001 010128406-3
005 20061020142335.0
008 050613s2005 enka b 001 0 eng c
015 $aGBA468506$2bnb
016 7 $a012997097$2Uk
020 $a1844570398 (pbk.)
020 $a1844570495 (hbk.)
035 0 $aocm60319186
040 $aUBY$cUBY$dUKM$dBGU$dVP@$dIXA$dBAKER$dVVC$dYUS
042 $apcc
043 $an-us-ca
050 4 $aPN1993.5.U65$bG5562 2005
082 04 $a384.80979493$222
082 04 $a384.80979494$222
245 00 $aGlobal Hollywood 2 /$cToby Miller ... [et al.].
246 3 $aGlobal Hollywood two
260 $aLondon :$bBFI Publishing,$c2005.
300 $a442 p. :$bill. ;$c24 cm.
505 0 $aGlobalisation + Hollywood history + cultural imperialism + the GATT and friends = laissez-faire Hollywood or state business? -- The new international division of cultural labour -- Co-producing Hollywood -- Hollywood's global rights -- Getting the audience.
504 $aIncludes bibliographical references (p. [371]-431) and index.
650 0 $aMotion picture industry$zCalifornia$zLos Angeles.
650 0 $aMotion picture industry$xEconomic aspects$zCalifornia$zLos Angeles.
650 0 $aMotion picture industry$xSocial aspects$zCalifornia$zLos Angeles.
700 1 $aMiller, Toby.
988 $a20061016
906 $0OCLC