| Record ID | harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:242589325:1371 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:242589325:1371?format=raw |
LEADER: 01371cam a2200349Ia 4500
001 010304794-8
005 20090417022835.0
008 060317s2006 gw ac b 000 0deng d
010 $a 2008273762
015 $aGBA634691$2bnb
016 7 $a977889114$2GyFmDB
016 7 $a013432508$2Uk
020 $a3791334727 (pbk.)
020 $a9783791334721 (pbk.)
035 0 $aocm65166705
040 $aOHX$cOHX$dUKM$dBAKER$dIAY$dYDXCP$dBTCTA$dWCM$dOCLCG$dDLC$dOCLCG
041 1 $aeng$hger
043 $ae-uk-en
050 00 $aND497.B16$bS3413 2006
072 7 $aND$2lcco
082 04 $a759.2$222
100 1 $aSchmied, Wieland,$d1929-
240 10 $aFrancis Bacon.$lEnglish
245 10 $aFrancis Bacon :$bcommitment and conflict /$cWieland Schmied ; [translated from the German by John Ormrod].
260 $aMunich :$aNew York :$bPrestel,$c2006.
300 $a183 p. :$bill. (chiefly col.), ports. ;$c25 cm.
504 $aIncludes bibliographical references (p. 176-180) and filmography (p.181).
505 0 $aProductive disgust -- The experience of space -- Plates I -- The role of photography -- From the Crucifixion to the 'black' triptychs -- The painting process and its goal -- An age of violence-- Plates II.
546 $aTranslated from the German.
600 10 $aBacon, Francis,$d1909-1992$xCriticism and interpretation.
988 $a20070509
906 $0OCLC