| Record ID | harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:270172466:1552 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:270172466:1552?format=raw |
LEADER: 01552cam a22003014a 4500
001 009265806-7
005 20050103104911.0
008 030319s2003 ctu b 001 0 eng
010 $a 2003048238
015 $aGBA3-V4734
020 $a027598057X (alk. paper)
035 0 $aocm51968877
040 $aDLC$cDLC$dUKM$dC#P
042 $apcc
043 $an-us---
050 00 $aML3918.M87$bW35 2003
082 00 $a306.4/84$221
100 1 $aWalsh, David$q(David Frederick),$d1942-
245 10 $aMusical theater and American culture /$cDavid Walsh and Len Platt.
260 $aWestport, Conn. :$bPraeger,$c2003.
300 $axiii, 200 p. ;$c25 cm.
504 $aIncludes bibliographical references (p. [187]-191) and index.
505 0 $aIntroduction: Analyzing the musical sociologically. -- The genesis of the musical in American popular culture. -- Broadway: the Roaring Twenties, Black culture, and the song-and-dance musical. -- The Depression and the Broadway musical. -- Broadway: the book musical and the end of ideology. -- Broadway and after: the transformation of the musical. -- Modernity, globalization, and the megamusical. -- On and off Broadway: a postscript. -- Appendix: Musicals referred to in the text with main composers, lyricists, and book writers.
650 0 $aMusicals$xSocial aspects$zUnited States.
700 1 $aPlatt, Len.
776 08 $iOnline version:$aWalsh, David F. (David Frederick), 1942-$tMusical theater and American culture.$dWestport, Conn. : Praeger, 2003$w(OCoLC)654132383
988 $a20040112
906 $0DLC