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This work is published on the occasion of the exhibition "Signac, les couleurs de l'eau" presented the musée des impressionnismes in Giverny, from March 29 to July 2, 2013. The description of the water and sky offered by Paul Signac (1863-1935) was an inexhaustible excuse to multiply the color variations. Like Monet, Signac indeed is a constant source of inspiration in the evocation of water and colors. The reflection of light on the surface of the river and the sea are the real fragments, and the artist, ardent defender of pure color, found in this pattern a natural illustration of neo-Impressionist theory of the division of tones.
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Subjects
In art, Exhibitions, Harbors in art, French Marine painting, Harbors, Pictorial works, European Marine painting, Water in art, Neo-impressionism (Art)People
Paul Signac (1863-1935)Places
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Book Details
Edition Notes
Catalog of an exhibition held at Musée des impressionnismes, Giverny, Mar. 29-July 2, 2013, and at Musée Fabre de Montpellier Agglomération, July 13-Oct. 27, 2013.
Includes bibliographical references (p. 234-235).
Includes bibliographical references (pages 234-235).
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- Created November 12, 2020
- 4 revisions
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September 11, 2024 | Edited by MARC Bot | import existing book |
April 1, 2023 | Edited by ImportBot | import existing book |
December 21, 2022 | Edited by MARC Bot | import existing book |
November 12, 2020 | Created by MARC Bot | Imported from Library of Congress MARC record |